#Kaya2026 #FreetownCollective #TrinidadCarnival #SocaVibes #CalypsoGroove #CarnivalAnthem #XplicitMevon,
By Ananda/Sokah2Soca
in
Blog
October 06, 2025
This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.
We like to throw around the word 'anthem' for carnival music releases time and time again, but do these claims live up to expectations? Freetown Collective, known for their poetic storytelling and genre-blending sound, drops “Kaya”—a track that feels like sunshine on skin. Maybe, just maybe, this one could become your 'carnival anthem for 2026'! Produced by XplicitMevon, this one carries a nostalgic, laid-back groove that makes you want to sit back, reflect, and feel.
Certainly, upon reflection, this song feels like a love letter in lyrics Though the title “Kaya” might spark thoughts of an herb, the song is really a tribute to a woman who brings warmth and joy. It's a little like Cocoa Tea by Kes... it soothes your inner self. Kaya is described as someone who brings “sunshine” and “good love,” driving the singer “crazy” with affection. The chorus hits home with the line “I love you when I see you in front of me”—a simple, powerful declaration of love and longing. Think about it and dig deep and reflect on the last time you watched someone special in your life and say, "damn, I am such a lucky person!"
I love this music production; it reminds me of my days listening to smooth jazz radio in NYC. The song draws you in and brings about a relaxed state to soak in and enjoy the music. XplicitMevon’s production leans into a classic Soca/Calypso vibe, but with a mellow twist. It’s not a jump-up track—it’s a sit-down-and-feel-it kind of tune. The instrumentation is rich yet relaxed, giving space for the vocals to breathe and the emotion to land. This is the kind of song that will last; it will be played for years to come, unlike some of the modern Soca releases that live only for one Carnival season.
Love comes in many forms, and this is not a case of escapism but real life—not for escape, but for comfort. Kaya is not just the government name given to this woman, but it could be the peace and comfort in your life, a person or feeling that who brings, joy, and clarity. And yes, just like the herb, she uplifts. But the focus here is her presence or just us looking inside and finding the joy, her impact, and the way she transforms the singer’s world and then some.
Final Thoughts This is a Carnival release with heart. Freetown Collective continues to push the boundaries of Soca storytelling, and “Kaya” is a reminder that love songs still have a place in the revelry. Add this one to your playlist—it’s a vibe you’ll want to revisit.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music, as doing so denies songwriters, producers, and artists essential revenue. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Kaya
Artist/Performed by: Freetown Collective
Produced By: XplicitMevon
Written By: Muhammed Muwakil, Lou Lyons & Mevon Soodeen
Background Vocals by: Malene Joseph, Shanna Joseph & Tishanna Williams
Engineered (Mixed & Mastered) by: XplicitMevon
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
When the Vibe Doesn’t Land: Farmer Nappy’s “All Day” Misses the Mark
By Ananda/Sokah2Soca
in
Blog
October 06, 2025
Dive deeper into Caribbean music and culture at Sokah2Soca — your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.
I say this with love: Farmer Nappy is one of our treasured voices in Caribbean music. His collaborations with De Red Boyz have gifted us timeless sweetness—songs that felt like sunshine on skin, rhythm in bone, and joy in motion. But this time, with “All Day” produced by Q-Ban Production, the magic didn’t show up.
I wanted to feel it. I tried. But the vibe just wasn’t there.
From the first few seconds, the song felt like it was searching for itself. The intro didn’t pull me in, and as it unfolded, Farmer seemed to be wrestling with the rhythm rather than riding it. There was no flow—just a series of musical stumbles that made the 2:55 runtime feel unusually long for such a seasoned artist.
Farmer rarely sounds disconnected from a track, but "All Day" felt like a struggle from beginning to end. The energy was flat, the melody uninspired, and the overall production lacked the spark we’ve come to expect from him.
Sigh... Sorry, Farmer, but someone did not water the musical plants and everything wilted in the Caribbean sunlight. I’m not here to be cruel. I’m here because I care. This is due to my understanding of Farmer Nappy's potential. This one just didn’t land. And that’s okay. Not every release will be a gem—but we still hold space for the brilliance that’s yet to come.
Here’s hoping the next track brings back the flow, the fire, and the Farmer we know.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music, as doing so denies songwriters, producers, and artists essential revenue. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: All Day
Artist/Performed by: Farmer Nappy
Written By: Angelo Pantin, Marvin Lewis & Darryl Henry
Produced By: Q-Ban Productions
Bass: Miguel Charles
Guitars: Kwami "Kwamz" Morrison & Angelo Pantin
Drums By: Javier "Big Chupz" Jarvis
Percussion: Adiel Pantin
Background Vocalists: Angelo Pantin, Kizzie Huggins & Karyce Phillips.
Engineered (Mixed and Mastered) by: Sheppard Pro
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
“Ai” by Sackie: When Technology Becomes the Third Party in Love
By Ananda/Sokah2Soca
in
Blog
October 06, 2025
This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.
Artificial intelligence is everywhere, and Soca music is embracing it. Today we feature Sackie’s new release, “Ai.” This song is a sobering reflection on how artificial intelligence can fracture human relationships. Talk is cheap, but a video can be very convincing. Ai can make the unreal relevant and believable. This song was written by Shakir Sackie Harewood, Mevon Soodeen, and Denilson Gulston and produced by XplicitMevon & MaxBeatz. The songwriters explore the emotional chaos caused by AI-generated videos—fabricated content designed to destroy trust and stir conflict. Consider this the art of Maco on steroids!
Raw and fragmented lyrics reflect Sakie's confusion amidst a digital scandal. Lines like “She showing me a video with me” and “You know I really love you… So why are you really showing me in the media?” evokes the pain of being misrepresented by technology and the helplessness of defending oneself against synthetic evidence. It looks like Sackie is on the losing end of this conflict.
On a serious note, what makes “Ai” especially powerful is its cultural relevance. Calypso and Soca music often serve as social commentary; Sackie’s track stands as a modern calypso lament—less about politics, more about personal betrayal in the age of algorithms. The production, handled with eerie precision by XplicitMevon, underscores the emotional weight of the narrative. We commend the songwriters and commend the music that perfectly complements the lyrics.
“Ai” isn’t just a song—it’s a warning. Yes, Carnival is a bacchanal, but do we need this problem in our lives... oh, hell no! As Caribbean artists continue to innovate, Sackie reminds us that the digital age demands not just creativity but caution. When love collides with algorithms, it can become challenging to discern the truth.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music, as doing so denies songwriters, producers, and artists essential revenue. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: AI
Artist/Performed by: Sackie
Produced by: XplicitMevon & MaxBeatz
Written by: Shakir Sackie Harewood, Mevon Soodeen & Denilson Gulston
Engineered (Mixed & Mastered) by: XplicitMevon
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
Sucre’s “Gimme Wuk Darlin”: Sweetness, Sweat & Soca Seduction
By Ananda/Sokah2Soca
in
Blog
October 06, 2025
Dive deeper into Caribbean music and culture at Sokah2Soca — your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.
Sucre—as in sweet like sugar cane, and apparently just as irresistible according to the ladies who follow this artist. That’s what the ladies keep saying, and today he’s serving up a new track that’s dripping with Caribbean sensuality. “Gimme Wuk Darlin” is more than a request—it’s a rhythmic plea for connection, movement, and that classic Wuk Up that squeezes out every drop of sweetness from a proper Soca whine.
Performed by Sucre and co-written with Shawn “Spine” Stewart, the track is a full-bodied production featuring background vocals by Majestic & Sucre, live guitars and bass by Kyle Peters, and brass by Christopher Sam of Ultra Brass. Mixed and mastered by Johann Seaton of Madmen Productions, the song is sonically rich and emotionally charged. The visualizer, directed and edited by Spine and color-corrected by Melody Stewart, adds a sultry visual layer to the experience.
Lyrically, Sucre lays it bare:
“Baby, your body calling me” “One touch from you, darling, is the only thing that could take my stress away” “Just want to feel you baby”
It’s a late-night anthem—sweat, whine, and longing wrapped in melody. DJs will know exactly when to drop this one, and we hope radio stations give it the fair play it deserves. If you don’t hear it on your favorite Soca station, be the change: share this post, tag your crew, and let the sweetness spread.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music, as doing so denies songwriters, producers, and artists essential revenue. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Gimme Wuk Darlin
Artist/Performed by: Sucre
Written by: Nkosi “Sucre” & Shawn “Spine” Stewart
Produced by: Nkosi “Sucre” & Shawn “Spine” Stewart
Background Vocals by: Majestic & Nkosi “Sucre”
Live Guitars & Bass by: Kyle Peters
Live Brass by: Christopher Sam of Ultra Brass
Engineered (Mixed & Mastered) by: Johann Seaton of Madmen Productions
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
