Olatunji Yearwood’s “T.L.Y. (Trinidad Love You)” is pure Carnival magic.
By Ananda/Sokah2Soca
in
Blog
October 09, 2025
Dive deeper into Caribbean music and culture at Sokah2Soca — your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.
Ola has always been a fan of Sokah2Soca, and when he dropped T.L.Y. (Trinidad Loves You), I was intrigued and pressed play immediately. It is never too late to post new music and we are thankful that we took time to post this song. From the start, the sound of the steelpan took you to the Caribbean and then there was a time capsule segment of music. The introduction was superb; kudos to the producer for creating a time capsule style of music that took us back to the golden age of calypso while seamlessly and effortlessly transitioning us into the pulse of modern-day Soca. It is musically sound and a love letter to our beloved nation. Ola bridged the gap between generations from vintage to contemporary and his energy just drives the vibe into our musical souls... we love this song!
We are not familiar with the producer and his name, like his music, is a breath of fresh musical air. The production is energetic and smooth and bridges eras without losing the soul and vibe of our music. Everything feels solid about this production; it is crisp, nostalgic and forward-moving, all at once... it is head-spinning and sweet. We applaud Mouttet for this musical work.
Then we have the man, Olatunji; he is full of energy and amplifies the vibe: he delivers, he radiates joy, and he draws you in with his unmistakable Trini energy. "I love you" and "fall in love with me," sung by Olatunji, resonate like a mantra for the twin-island republic. If I can sum it up for you, this is my take: Yes, it is a song with a vibe and music that will make you dance, but more importantly, it is a celebration of our culture, the rhythm of the nation, and the kind of love Trinis share with the world.
If you are here with me, thank you for reading. Whether you’re whining at home, vibing in front of your computer, in the streets or from afar, “T.L.Y.” reminds us why we fall in love with Trinidad over and over again. Carnival 2026 just got its anthem.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music, as doing so denies songwriters, producers, and artists essential revenue. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: T.L.Y (Trinidad Love You)
Artist/Performed by: Olatunji
Written by Mouttet & Olatunji
Produced, Mixed & Mastered by Mouttet
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.
We wanted to do something different, and the idea was right in front of us on the creative side of blogging. Just a click of a button and we were able to use one of our posts to help generate a podcast for your listening pleasure. Here we are and we’re thrilled to share our latest AI-generated podcast, inspired by Sokah2Soca’s post on Patrice Roberts’ Carnival-ready anthem, “Rock So.” If you like it, we will generate more for your listening pleasure.
Our original post provides a guide to Rock So and the fact that Patrice just wants to rid herself of bad vibes. Link to our blog post here: Rock So by Patrice Roberts x MadLypso: Friday Pop Up Vibes
In this episode, we analyze the song’s playful yet introspective vibe, the high-energy visuals, and the musical layers that contribute to its standout quality. Additionally, we highlight Patrice’s bold promise to deliver serious excitement at Carnival 2026.
Tap in, turn up, and support Caribbean music in the digital age. The culture is moving and we intend to move with it—we intend to "rock so" with it. We may not get everything right, but the goal is to continually evolve and deliver the culture in a fashion that suits our various tastes. Share your feedback with us.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music, as doing so denies songwriters, producers, and artists essential revenue. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Production Notes/Music Credits:
Song Title: Rock So
Artist/Performed by: Patrice Roberts x MadLypso
Written by: Kern Rose
Music by: MadLypso—Johann Seaton—Kern Rose
Produced by: Johann Seaton
Engineered (Mixed & Mastered) by:
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
Preedy's "Jammin’" Is More Than a Song—It’s a Caribbean State of Mind
By Ananda/Sokah2Soca
in
Blog
October 09, 2025
Dive deeper into Caribbean music and culture at Sokah2Soca — your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.
It’s another day, and yes—more fresh Soca for your listening pleasure. Today’s offering is “Jammin’,” a feel-good anthem from one of our favorite rising stars and certified hitmakers: Preedy.
No lyrical surprises here, and that’s the beauty of it. “Jammin’” leans into the classic Soca formula: dance, celebration, unity, and pure vibes. It’s a reminder that Caribbean people don’t hold grudges when it’s time to fete. We hit the streets, we palance, and we revel in the joy of the two sacred road days—no apologies, no stress.
? The video? A vibrant snapshot of our culture. Preedy is front and center, surrounded by friends and family, dancing and soaking in the moment. It’s not just a party—it’s a portrait of togetherness. The visuals highlight the familial spirit of Carnival, the kind that’s raw, real, and rooted in tradition. And let’s be clear: this isn’t a “festival” in the North American or Barbadian sense. This is Carnival—unfiltered, unapologetic, and ours.
? Production credits are listed in the description, with Smiddy Smith working his usual magic (fresh off his Islandvybe interview with Nikki G) and final engineering by the legendary Parry Jack. The team behind this track knows how to deliver a vibe.
At its core, “Jammin’” is an invitation to let go. The lyrics call us to dance, to unite, to celebrate as one family—regardless of background. The energy intensifies from Christmas in the Caribbean, surges into the new year, and culminates in the world's greatest Carnival.
Preedy brings the music. He brings the message. He brings the vibe. So we ask you, are you ready to start jamming’?
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music, as doing so denies songwriters, producers, and artists essential revenue. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Jammin
Artist/Performed by: Preedy
Produced by: Romell “Smiddy” Smith
Written by: Kris Fields and Akeem Chance of WeMAD Entertainment
Vocal Production by: Stephanas Ramgattie of WeMAD Entertainment
Additional Production by: Lumos Productions
Mixed & Mastered by: Parry Jack (SVG)
Background Vocals by Armonías Magníficas
Live Guitars by: Dion Mansingh
Live Bass by: Miguel Charles
Keys by Daryl Samuel
Rhythm Section by: One Band One Sound
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrives!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
Horn Again by Rome — A Soca Survival Anthem in Time for Carnival 2026
By Ananda/Sokah2Soca
in
Blog
October 09, 2025
This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.
Rome, my brother… you could climb Mount St. Benedict, wave a flag, and brag, “I eh taking no horn again!” loud enough to echo through the valleys—but let’s be real. If a woman decides to horn you… 'yuh coo coo cook!' Yes, infidelity is a difficult experience, and when it affects you, it will feel like a relentless attack on your very being. It may not be bad luck; there are just devious people out there looking for their next victim! You said it, brother: "Ah, a horn is a horn—take bois!"
Today we spotlight Horn Again, Rome’s latest musical declaration of emotional independence. After surviving more relationship drama than a Trinidadian soap opera, the man says he's done with confusion, done with embarrassment, and done with horn. No more vexing because you have get tabanca (bad case of the blues). No more bawling (serious tears) in the rain. The days of "Horn meh but doh leave meh" negotiations are long gone.
In true Rome fashion, the song is playful, catchy, and full of that “all just for fun” energy—but the message is clear: self-worth first, horn last. He’s not just singing about heartbreak; he’s reclaiming his peace. The chorus hits like a mantra: “I ain't taking no horn again!”
So whether you’ve been horned, nearly horned, or just horn-adjacent… this one’s for you. Put on your shades, sip something strong, and let Rome remind you that self-love is the best love.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music, as doing so denies songwriters, producers, and artists essential revenue. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Horn Again
Artist/Performed by: Rome
Produced by: XplicitMevon & Kyle Peters
Written by: JONESY, Jerome Precilla & Mevon Soodeen
Background Vocals by: Gerelle Forbes & Mevon Soodeen
Live Guitars & Bass by: Kyle Peters
Live Brass by: Temperature Horns
Horn Arrangement: Justin Phillip
Trumpet: Christopher Sam
Tenor Saxophone: Jamie Ghany
Trombone: Justin Phillip
Brass Recording Engineer: Kevin Inniss
Engineered (Mixed & Mastered) by: Dre
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
