Are you the type of person who loves to categorize Caribbean music? If you enjoy categorizing Caribbean music, we have a song that presents a conundrum. This question is not a riddle, but it is all about vibes. Today we present a song by 3 Canal on the Black Mud Riddim (album), produced by Stemz. Don't get me wrong, Julianspromos is promoting the Riddim as Soca, but this 3 Canal song is a toss-up. It is a vibrant song that will undoubtedly rock any Caribbean J'ouvert. The song is titled "No War," and I want you, fans of Caribbean music, to say if it is Calypso, Soca, CalypSoca or just a wicked J'ouvert vibe. 

 

This track pulses with Carnival energy while carrying the weight of social commentary—reminding the powers that be that we don't want 'No War' in the Caribbean.  Riding Stemz’s Black Mud Riddim, the song is officially catalogued as Soca 2026, yet its lyrical DNA leans heavily into Calypso’s protest tradition. Just keep in mind that 3 Canal is known for their Rapso style and social commentary; with this song, as Dev would put it, they are the "Kings ah de J'Ouvert!"

 

As a matter of where this song fits in our cultural landscape and especially genre-specific, their unique style of delivery makes this song stand out from the other songs on the "Black Mud Riddim." Maybe it would have been a fitting release for Spicemas! 3 Canal is on fire with this song, known for blending rapso—spoken word with calypso rhythm and a touch of Soca drums. This fusion makes “No War” more than just a party anthem; it’s a call for unity and reflection, wrapped in the percussive drive of Soca. The riddim itself is Soca, but it fits J’ouvert perfectly and the delivery reminds us of Calypso’s enduring role as the conscience of Carnival.

 

With “No War,” 3 Canal proves once again that the steelpan, the drum, and the voice of protest can coexist on the road, igniting revelry while reminding us of deeper truths.

 

 

Soca powerhouse Lyrikal delivers fresh energy with his latest track, “Break Record,” riding the vibrant Lights Riddim. Lyro has consistently delivered excellent music, and together with the production team, consisting of Cool It Productions, Kernal Roberts, and Azikiwe Keller, he has another weapon for stage appearances for Trinidad's 2026 Carnival.

The song, featuring Lyrikal's signature vocals and executive produced by Ryan Shing Hon, is a celebration of Carnival’s heartbeat. Written by Kernal Roberts and Devon Martin, the lyrics capture the passion, unity, and joy of people coming together as “one family.”

“Break Record” is all about readiness for the road, embracing the music, and reveling in the festivities. Lyrikal encourages fans to fete in numbers, set new records for positive vibes, and immerse themselves in the Carnival spirit. As he declares in the track, “yuh cyar get enough of me.”

We love the vibe, the message, and Lyrikal’s unmistakable vocal style. This one is highly recommended by the Sokah2Soca crew—a true anthem for the season.

 

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

 

The stars have arrived; the man controlling Soca music today just released "Capital" with the queen of vibes, Patrice Roberts. 

 

If you are a fan of Groove Soca, then you will love Kevon Carter's "Body Talk." This track blends flawless vocals with a bouncy, engaging rhythm. Mr. K-Dence joins Kevon on this musical journey, delivering an equally seductive, crisp Caribbean flow and celebratory vibe. The music is a pure and sweet groove, Soca.

The visuals for the video lead us down a seductive path of life—the visuals engage the lyrics, each line pulsing with desire, each beat inviting movement. Kevon’s voice is smooth and expressive, asking his love interest to speak not with words, but with motion: “Talk to me with your body, baby.” Mr. K-Dence complements the music with rhythmic charisma, adding bounce and swagger to the sonic landscape.

Highlights

• Kevon Carter’s vocals are smooth and flawless, silky, and emotionally rich.
• Mr. K-Dence’s vocal flow is vibrant, rhythmic, and sunlit.
• Lyrics: a poetic plea for physical expression and emotional connection.
• Production: tight, tropical, and radio-ready—crafted by Ian Wiltshire & Alan Brizan.
• Recording: expertly captured by Kevin 'Vexmony' Beharry at Big Blood Studios.

Body Talk can be considered Caribbean Pop instead of Soca. However, for marketing purposes and since we are in Carnival mode, this song will go down as a Soca music release, making it perfect for Carnival playlists and club parties. I don't think you will hear this at a fete or played here; you will hear it on a Soca mixtape. This song has its own path and will find favor with those who are sensually inclined.