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The content was first published on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!

 
I am impressed: De Red Boyz and Don Trent have delivered what most will call a Soca anthem. This style of soca makes me want to play the song on repeat! The vibes delivered for "Baddest Gyal" are undeniable. From the start, I was hooked, but there was a pause—that voice! The voice is smooth, rich, and unexpectedly reminiscent of one of my favorites, Damian Marvay. 
 
Who can deny the brilliance of  De Red Boyz? Their unique style is unmistakable and sweet like Caribbean sugar cane.  The rhythm hits that sweet spot between groove and energy—the kind of tempo that makes you move without even realizing it.
 
This is the kind of soca Trinidadians love—groove soca at its best. “Baddest Gyal” isn’t just a song—it’s a full experience. From vocal tone to rhythmic detail, this one brings the heart of the festival season to life. Don Trent has been around for some time, but with this song he steps into the spotlight with confidence, charisma, and undeniable talent. We at Sokah2Soca are loving it.
 
Let us spread awareness of the Caribbean diaspora's culture.
Our goal is to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and tales of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy continues to reach a wider audience and foster creativity and connections. While you should always buy music for sale, you should avoid sharing promotional music because it denies songwriters, producers, and artists important revenue.  Please be aware that all of our posts are available online via social media platforms like FacebookYouTubeInstagramSpotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS FeedThreadsBluesky, and Twitter/X, including email subscriptions. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: Baddest Gyal
Artist/Performed by: Don Trent
Produced by: De Red Boyz
Written by Jamaal Miller of Seven Flags Creative Group, Tabari Husani Davis of EyeBarEye and Odwin “Don Trent” Trenton
Music composed by Scott Galt and Michael Hulsmeier
Guitar by Barry “Barman” Hill
Bass by: Damien “Nebby” Neblett
Backing vocals by Rochelle Griffith
Mixed by Anthony Lowhar at Commercial Music Inc.
Mastered by Alex Psaroudakis at The Work Shop 
Origin: Barbados
Genre: Soca ?
 
Sokah2Soca—Where the Rhythm Lives and CalypSoca Thrives!
? Listen. Share. Amplify. Our artists embody culture not only during Carnival but on a daily basis.
 
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.
♫ Please click the music player button below to listen now (small triangle in the music player/TV frame).

The content was first published on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!

 
Any effort to chart Soca music is a welcome step toward elevating the genre. Visibility matters, and I’m genuinely glad to see that COTT (Copyright Organization of Trinidad and Tobago) now shares a weekly Top 10 Soca chart. While I applaud the effort to chart the songs, I will boldly voice my concerns about the lack of representation and how they relate to the chart.
 
But let’s be honest—how a chart is compiled determines its credibility, and that’s where some real concerns arise. Since Carnival went to sleep, it appears that the same songs are changing places on the chart, with a few exceptions. Every Soca music fan should be concerned about this chart, as it does not chart any of the hundreds of songs released for upcoming Caribbean carnivals.  
 
Then there’s the fine print at the bottom of the chart: “Countdown positions are determined by PLAY COUNT, then by Total PLAY TIME (not shown on countdown).”
 
COTT’s current chart is based solely on “TV & Radio Play.” While it’s understandable that play in fetes, bars, ads, concerts, and competitions is excluded, what’s troubling is that streaming platforms and digital play are also ignored. In today’s music ecosystem, that’s a major omission. Streaming is how most people discover and engage with music—especially globally. Ignoring this means failing to understand the audience's pulse.
 
Please clarify how those “play counts” are tracked. Does the tracking process include all radio stations? Who decides which songs get spins and how often? Is it the program director? Radio hosts? Or worse—industry politics or favors influencing airtime?
 
If listener call-ins drive the chart, it serves as a gauge of public interest. But transparency is key. We need to know:
  • Are stations self-reporting or is there independent monitoring?
  • Is there a standard protocol across all participating stations?
  • How are discrepancies handled?
The Soca community deserves greater clarity from COTT regarding the compilation of this chart. Numerous uncertainties currently depend on the legitimacy of this chart, and the Soca community deserves greater clarity.
 
Let us spread awareness of the Caribbean diaspora's culture.
Our goal is to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and tales of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy continues to reach a wider audience and foster creativity and connections. While you should always buy music for sale, you should avoid sharing promotional music because it denies songwriters, producers, and artists important revenue.  Please be aware that all of our posts are available online via social media platforms like FacebookYouTubeInstagramSpotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS FeedThreadsBluesky, and Twitter/X, including email subscriptions. Thank you in advance.
 
Production Notes/Music Credits:
Soca Charting: Top 10 Radio Plays
Period: 5th June to 11th June, 2025
Credited to: COTT
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
 
Sokah2Soca—Where the Rhythm Lives and CalypSoca Thrives!
? Listen. Share. Amplify. Our artists embody culture not only during Carnival but on a daily basis.
 
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.
♫ Please click the music player button below to listen now (small triangle in the music player/TV frame).

The content was first published on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!

 
Sokah2Soca is expanding its presence in Trinidad and Tobago's music scene. We can't ignore the new music that kids love, even though we have the latest Soca, Steelband, and Calypso music. Indeed, we celebrate the lyrical wit of Calypso and the heartbeat of middle-class Soca, praising ourselves as a bastion of tradition. However, music, akin to culture, is a fluid entity. Like any river, our culture fluctuates over time, and the current era demands the acknowledgement of Zess Soca's music. For this post, we deliver the music of the Queen of Zess, Lady Lava. We hope you enjoy our sampling of her music, taken from Spotify's "This is Lady Lava," for your listening pleasure. 
 
It was natural for the youth to create and thrive with this new vibe. That Rapso music has not achieved the same level of success and recognition saddens me. Rapso is remarkable music, but that is a discussion for another time. Street culture has given rise to Zess Soca, which has enjoyed success at home and is now spreading throughout the Caribbean region. Zess Soca is unapologetically raw, infectious, and undeniably vibrant. At its core is Lady Lava—bold, magnetic, and lyrically fearless. Her music transcends mere entertainment; it serves as storytelling from the perspective of a new generation.
 
One might wonder why Lady Lava's music is significant. Her grit and flair imbue every track she touches. While her rhythms might pulse with the carefree bravado of Zess, her wordplay and delivery echo our Calypsonian griots—just through a new lens.
 
We acknowledge that our initial focus was on a mature, culture-loving audience who enjoys steelband, calypso, and soca music. However, Zess is beginning to permeate our mainstream music. A prime example of this is Machel Montano's "Pepper Vine," featuring Drupatee Ramgoonai, the queen of Chutney Soca, alongside Lady Lava, the queen of Zess Soca. While many cherish the artistry of today's Soca champions, as well as the legendary works of artists like Sparrow and Kitchener, it is essential to embrace the emergence and evolution of new music. Lady Lava does not stand in opposition to our musical heritage; rather, she embodies its continuation—another fiery branch from a mighty tree.
 
So, are you ready to experience Lady Lava's music?   We’re featuring a curated selection of Lady Lava's high-voltage tracks right here on Sokah2Soca. Turn up the volume, set aside expectations, and let the Queen of Zess usher you into the now. Sokah2Soca welcomes you to the world of Zess. Soca, if done properly, could be the future music that puts the Caribbean music scene on the global stage, embraced by the likes of Nicki Minaj, Cardi B, and others... Enjoy!
 
Songs:
Ring Finger, Bob the Builder, No Standing Up, Bare Bounce, You Have A Gyal, Skeg Out, Bedtime Story, Make it Clap, Konsequences, Nasty, Pepper Vine, Cha Cha Cha, Flowers, Baddd B, Ms. Lucy (Alter Ego), Tight Hole, Heavy Rollers, In Deh, Love Bombing, Tail Light-Refix. 
 
Let us spread awareness of the Caribbean diaspora's culture.
Our goal is to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and tales of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy continues to reach a wider audience and foster creativity and connections. While you should always buy music for sale, you should avoid sharing promotional music because it denies songwriters, producers, and artists important revenue.  Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS FeedThreadsBluesky, and Twitter/X, including email subscriptions. Thank you in advance.
 
Production Notes/Music Credits:
Welcome Zess Soca Queen: Lady Lava's Zess Soca Rise on Sokah2Soca
Artist/Performed by: Lady Lava
Songs: 20 songs for your listening pleasure
The complete playlist of 50 songs: Spotify/This is Lady Lava
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Zess Soca ?
 
Sokah2Soca—Where the Rhythm Lives and CalypSoca Thrives!
? Listen. Share. Amplify. Our artists embody culture not only during Carnival but on a daily basis.
 
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.
♫ Please click the music player button below to listen now (small triangle in the music player/TV frame).

The content was first published on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!

 
Oh my, this one will require some wine and a couch. "Konsequences," our feature song for this post,  will resonate with many people, particularly those who are passionate about love and relationships and then some. At times, people form relationships out of love, while others do so out of convenience. Occasionally, both situations persist and consequences arise. "Konsequenses" tells that story and we are so pleased to bring you this song by Coutain x Brooklyn Decent x Lady Lava.
 
Did we say that relationships can be tricky? We didn't? Well, relationships can be tricky, and usually because passion blinds reason. Konsequences lays it all out—the intensity of connection, the thrill of desire, and the aftermath when one person wants more than just the physical. In "Konsequences," Coutain is the storyteller and Lady Lava the antagonist, with Brooklyn Decent laying down the tracks for this lyrical masterpiece.  Coutain, with his silky, soothing vocals, sings about the struggle with such ease, portraying a man caught up in a dilemma so much so that he can't focus or think right. Something much deeper ensnares him, complicating the relationship. Conversely, Lady Lava exudes confidence and assertiveness. It’s powerful—she’s clear about what she wants, no complications, no commitments. But for him, escaping is impossible. The "good job" he got has him hooked, and now, he’s struggling with the weight of wanting more.
 
While most adults in similar situations tend to act based on their lust rather than their common sense, young individuals tend to act impulsively, allowing their hormones to take over and cause chaos. When you listen to "Konsequence," rather than focus on the emotions expressed by Coutain, step back and consider this song as  a lesson about knowing your limits and understanding what you truly want!
 
We are going to pause at this point and let you continue the discussion. If we can get you to share this post and keep the conversation going on social media, great! Listen to the song and share with us the message you get after listening. 
 
Let us spread awareness of the Caribbean diaspora's culture.
Our goal is to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and tales of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy continues to reach a wider audience and foster creativity and connections. While you should always buy music for sale, you should avoid sharing promotional music because it denies songwriters, producers, and artists important revenue.  Please be aware that all of our posts are available online through social media platforms like FacebookYouTubeInstagram, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS FeedThreadsBluesky, and Twitter/X, including email subscriptions. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: Konsequences
Artist/Performed by: Coutain x Brooklyn Decent x Lady Lava
Written by: ****
Produced by: Brooklyn Decent
Mixed & mastered by: Brooklyn Decent
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
 
Sokah2Soca—Where the Rhythm Lives and CalypSoca Thrives!
 
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.
♫ Please click the music player button below to listen now (small triangle in the music player/TV frame).
Page 42 of 210

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  • Catch the island vibe! Our goal is to provide an avenue to spread our island culture not only through music, but also through our people's voices. 

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