Legends Reimagined: Willie Didn’t Die—He Just... Stopped Rising to the Occasion
By Ananda/Sokah2Soca
in
Blog
July 27, 2025
The content was first published on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
Legends Reimagined Series #1.
On July 9, the Mighty Sparrow turned 90—and Sokah2Soca couldn’t let that milestone pass without a proper tribute. However, this was no ordinary tribute. We chose to celebrate this living legend the way Sparrow himself would’ve wanted: with laughter, mischief, and a cheeky Calypso that still makes grown men squirm in their chairs. We extend our belated birthday greetings to the undisputed King of Calypso! ?
In the Calypso kingdom, few storytellers wield wit like the Mighty Sparrow. And when it comes to double entendre, Sparrow doesn’t just flirt—he winks, struts, and drops a punchline like a seasoned stand-up in drag. This song is one of his most wickedly humorous masterpieces! “Willie Dead.” ?
Except that Willie isn’t dead. He’s bedroom-dead—a man whose former flame now flickers like a broken bulb. Sparrow serves up this double entendre like a Sunday stew: hot, spicy, and full of surprise ingredients.
“He used to be so strong... Suddenly, he can no longer perform!" The nation mourned. The women gossiped. And Willie? Regrettably, Willie failed to meet the expectations, casting doubt on his arrogant claims of masculinity. The raw and shameful truth is that "Willie-Boi" was unable to "rise to the occasion!" Sigh... call 911 and request a few shots of bois bande!
“Willie Dead” is Calypso’s version of a public service announcement—with rhythm. It exposes male insecurity, pokes fun at societal pressure, and wraps it all in danceable delight. Sparrow plays the role of the lyrical surgeon, slicing through taboos with a mic, mischievous double entendre lyrical double talk and a smirk.
On Sokah2Soca, we celebrate these moments of lyrical brilliance—not only because they make us laugh, but because they remind us of the cultural power Calypso holds. The Mighty Sparrow didn't just sing about Willie; he sang about us, our expectations, and the absurdity of the masks we wear.
Only Sparrow could pen a eulogy where the dearly departed is actually still alive—but just... not very lively. “Willie Dead” lives on as one of Calypso’s finest provocations: proof that rhythm, wit, and a bit of cheek can make even dysfunction sound like Carnival bliss. So, pour one out—not for Willie—but for the genius who made dysfunction sound legendary. Yes. Willie is "dead." But the Mighty Sparrow? Timeless.
A Call to Action:
If you enjoyed reading this post, please let us know. Additionally, if you have a song that you think we should write a story about and have some fun with, feel free to tell us via email at This email address is being protected from spambots. You need JavaScript enabled to view it..
Let us spread awareness of the Caribbean diaspora's culture.
Our goal is to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and tales of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy continues to reach a wider audience and foster creativity and connections. While you should always buy music for sale, you should avoid sharing promotional music because it denies songwriters, producers, and artists important revenue. Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Willie Dead
Album: The Mighty Sparrow—The Supreme Serenader
Album Information: Discogs/Mighty Sparrow/The Supreme Serenader/Willie Dead
Artist/Performed by: The Mighty Sparrow
Written/Composed by: Slinger Francisco (The Mighty Sparrow)
Arranged by: Errol Ince
Produced by: Slinger Francisco (Sparrow) for B.L.S. Records
All Songs Recorded and Mixed at: Krystal Sound Recording Studio
Background Vocals on album: Glenda Ifill, Debra Haynes, Janet Alleyne, Roger George, George Victory and Anthony "Bugs" Niles
Year: 1998
BLS1022CD
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Calypso ?
Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music and Soca Thrive!
? Listen. Share. Amplify. Our artists embody culture not only during Carnival but on a daily basis.
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.
♫Please click the small triangle button in the music player below to listen now.
Friday Pop-Up: COTT Gone Rogue? Bunji’s “Celebration” Pops Up at #1—Six Months Later!
By Ananda/Sokah2Soca
in
Blog
July 27, 2025
The content was first published on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
Celebration by Bunji debuts at #1 six months after its Carnival release. For one straightforward reason—music trends—we have this song as our Friday Pop-Up! Now don’t get it twisted; I am sure you want to know how a song that was released back in January for Trinidad Carnival could now debut on the COTT music chart dated July 11, 2025 at the number one spot. How is that possible?
This VERICAST software might be powered by—or is spiritually aligned with—GROK Ai, because this chart logic is making our heads spin and going full sci-fi. ?
Let’s be clear: nothing against Bunji Garlin. He is a boss, a lyrical sorcerer, and a cultural icon. And the song? The creative, forward-thinking production by Banx & Ranx, N.M.G Music, and Bunji himself pushes Soca to another level—blending global polish with Caribbean soul. However, this chart is intriguing. Bananas. ?
So what’s the story here? Bunji Garlin's song "Celebration," released during Carnival, has unexpectedly risen to the top, akin to a Soca phoenix. After months of radio silence, "Celebration Time" has suddenly risen to the top. Where have you been, Bunji? Or more accurately, where has radio been?
The COTT chart tracks radio plays, but if the system only wakes up half a year later, we have to ask: is the result a celebration of the song or a reflection of how disconnected the chart is from real-time cultural movement?
Still, we’re not mad. We’re intrigued. And we’re featuring “Celebration Time” as our Friday Pop-Up because its magical debut at number one deserves a spotlight—even if the chart itself needs a serious recalibration.
So yes, it’s Celebration Time. But maybe it’s also Reflection Time. Let’s celebrate the music, but let’s also challenge the systems that shape its visibility.
COTT Chart Link: COTT TOP 10
Let us spread awareness of the Caribbean diaspora's culture.
Our goal is to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and tales of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy continues to reach a wider audience and foster creativity and connections. While you should always buy music for sale, you should avoid sharing promotional music because it denies songwriters, producers, and artists important revenue. Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Celebration
Artist/Performed by: Bunji Garlin
Produced by Banx & Ranx, N.M.G Music, & Bunji Garlin
Co-produced by Dana Shayegan
Lyrics written by Ian Alvarez
Music written by Yannick Rastogi & Zacharie Raymond
Guitars by Keron “Sheriff” Thompson
Artwork by JusBus
Lyric video by Ellenanimates
Executive Producers: Bunji Garlin, Dana Shayegan, Banx & Ranx
Label: Bad Beagle
C/P 2025 All Rights Reserved
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music and Soca Thrive!
? Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis.
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.
♫Please click the small triangle button in the music player below to listen now.
Wheel and Come Again Radio Rebroadcasts #3: Evening Vibes with Mr. Desmond
By Ananda/Sokah2Soca
in
Blog
July 27, 2025
The content was first published on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
This is the Wednesday evening vibe with Mr. Desmond that you will come to love. Why? Simply put, it is a Lovers Rock session you didn't know you needed. We assure you that you will have this segment on rewind.
As the saying goes, better late than never—and tonight, that felt especially true. After returning from a hot and humid gym, I missed the start of Mr. Desmond’s Caribbean Vibes Show but made it just in time to catch a golden half hour that reminded us why Deso remains a master selector of feel-good, roots-rich music.
He dipped into the archives, pulled out a few sleepers, and served up a set dripping with Lovers Rock nostalgia. It was one of the sweetest thirty minutes we’ve recorded in a long time—every note wrapped in warmth, every lyric humming with memory. Whether you grew up on Coco Tea, Gregory, Beres, or the quiet seduction of Janet Kay, this one was for you.
So we invite you to pull up a chair, grab your favorite drink, and let Deso do what he does best. Mr. Desmond excels in the delivery of Lovers Rock Reggae. His music is consistently sweet and captivating.
Let us spread awareness of the Caribbean diaspora's culture.
Our goal is to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and tales of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy continues to reach a wider audience and foster creativity and connections. While you should always buy music for sale, you should avoid sharing promotional music because it denies songwriters, producers, and artists important revenue. Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Show Title: Evening Vibes with Mr. Desmond
Segment: A Lovers Rock Session You Didn’t Know You Needed
Curated and Presented by: Mr. Desmond
Recorded from Radio Feed: Wednesday, July 16, 2025
Broadcast Platform: MrDesmond.net
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Reggae
Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music and Soca Thrive!
? Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis.
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.
♫Please click the small triangle button in the music player below to listen now.
Busy Body by Nailah Blackman: Caribbean Temptation Meets Hip Hop Swagger
By Ananda/Sokah2Soca
in
Blog
July 27, 2025
The content was first published on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
Forget the wine-up and leave your jump-and-wave at the door—Nailah Blackman’s latest drop, Busy Body, isn’t here to play Soca royalty. This track seamlessly transitions into a new sonic realm, blending a Caribbean attitude with hip hop skill and a hint of seductive alt-pop shine. Nailah isn’t just bending genres—It’s a bold sonic statement that challenges norms and expands what Caribbean music can sound like in America’s mainstream mirror.
But hold on just one silly minute—are they really asking us to believe that Nailah is an "officious individual," as shown on the video screen? I alway thought of Nailah as a sweetheart, not as someone who is 'assertive of authority in an annoyingly domineering way, especially with regard to petty or trivial matters.' Ok, let's move on... ?
The production opens with a skeletal beat—stripped down yet impactful. Nailah's voice glides over it with sultry precision, blending emotional control with playful charisma. Busy Body isn't Soca, Dancehall, or Hip Hop—but a genre-fluid cocktail that might best be described as Caribbean R&B with Trap-pop tendencies. Her phrasing speaks to hip hop’s love for rhythmic swagger and introspective tone, but the Caribbean soul remains unmistakable. Syncopation sways beneath the surface, the accent is proudly preserved, and the melodies evoke steelpan shadows and salt-kissed breezes. Nailah doesn’t dilute her roots—she amplifies them with global textures.
What sets Busy Body apart is its strategic evolution. This isn’t a detour from Soca; it’s a reimagining. Nailah understands that true crossover success requires more than catchy hooks—it calls for aesthetic clarity and narrative control. By mixing Soca with hip hop sensibility and alt-pop shimmer, she reshapes the way Caribbean music shows up in America’s musical mirror. She’s crafting a new sonic silhouette—one that honors heritage while embracing innovation. Additionally, she exudes sex appeal, which is evident in her eyes and facial expressions; her attractive curves and fashion choices further enhance the overall impression.
The song’s creative power lies not just in Nailah’s performance but in the team behind it. Busy Body was written by Nailah Blackman, Anson Pro, Felicia Jones, and Michael Coleman. It was produced by Anson Pro, Nailah’s longtime collaborator, with additional production by Jakey Drumm. Mixing duties were handled by Grammy-winning engineer Leslie Brathwaite, while mastering was done by Johann Seaton of MadMen Productions. Each person played a distinct role in shaping the track’s crisp, compelling sound.
Busy Body represents more than a musical moment—it’s a blueprint for where Caribbean music can go next. Nailah doesn’t discard Soca traditions; she stretches them, weaves them into modern soundscapes, and builds bridges across genres. This isn’t just fusion for fusion’s sake—it’s intentional expansion. It’s about broadening the definition of what Caribbean artists can create and where that art can resonate.
At Sokah2Soca, we see Busy Body as a defining moment. Nailah Blackman is consistently releasing daring music; she isn’t just participating in the global music conversation—she’s leading it, speaker by speaker, vibe by vibe. Her work reminds us that Caribbean sound is fluid, resilient, and ready for its next chapter. And that next chapter is already unfolding, resounding louder than ever before.
Let us spread awareness of the Caribbean diaspora's culture.
Your goal is to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and tales of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy continues to reach a wider audience and foster creativity and connections. While you should always buy music for sale, you should avoid sharing promotional music because it denies songwriters, producers, and artists important revenue. Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Busy Body
Artist/Performed by: Nailah Blackman
Music Producer: Anson Pro
Additional Production: Jakey Krumm
Written by Nailah Blackman, Anson Pro, Felicia Jones, Michael Coleman
Mixed by: Leslie Brathwaite
Mastered by: Johann Seaton
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Caribbean Pop/Hip Hop ?
Shot/Edited By: Ian Davis
Directed By: Ian Davis & Anson Pro
DP: Wayneroy
Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music and Soca Thrive!
? Listen. Share. Amplify. Our artists embody culture not only during Carnival but on a daily basis.
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.
♫Please click the small triangle button in the music player below to listen now.
