Why the Chlöe x MOLIY Remix Is the Version We Needed All Along: Take It Easy
By Ananda/Sokah2Soca
in
Blog
September 06, 2025
This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.
When powerhouse vocals meet Caribbean swagger, magic happens. The newly remixed version of “Greatest Bend Over” brings together an unexpected but electrifying lineup:?? Chlöe, the American singer-songwriter, record producer, and actress known for her sultry R&B edge; ?? Moliy, the Ghanaian-American alté queen whose Afrobeats fusion is redefining global soundscapes, and ?? Yung Bredda, the viral soca sensation who’s made a name blending humor, street culture, and unapologetic island energy.
This remix doesn’t just add star power—it reimagines the song with lyrical clarity, feminine finesse, and vocal brilliance. Here is what we think about this remix version. Brilliant: A female American singer, a female Ghanian singer, a Bajan lead dancer and male Trinidad and Tobago singers and production team.
Let’s be real—Yung Bredda and Full Blown’s original “Greatest Bend Over” was already a certified soca smash. But now? The remix featuring Chlöe and MOLIY has elevated the track to a whole new level of brilliance. And we’re not just talking about a few added harmonies or a quick verse. This version feels like the one that should’ve dropped first. It’s that satisfying.
Originally, Yung Bredda subjected himself to ridicule when he sang, "She said, 'Take it easy; I will do the work!'" This was a significant blow to a man's ego, especially if he was unaware of it. All of that changed when Chlöe sang it with the confidence and teasing, sultry vocals that she delivered. Right there, the narrative was flipped, and it became easy for Yung Bredda to 'take it easy and let him do the work!' He was given an excuse; he was released to sit back and enjoy it all! The women take charge of the atmosphere in a playful and empowered exchange. It’s cheeky, it’s sexy, and it’s smart. When MOLIY jumps in with her verse, it is clear that she adds to the energy of the song. Just look at the video and it is easy to see that the ladies gave the song legitimacy and sultriness.
Vocals That Hit Every Note Chlöe’s vocals are buttery smooth, with just the right amount of sass and seduction. MOLIY brings her Afro-fusion flair, making the remix feel global and grounded in diasporic rhythm. Together, they legitimize the lyrics and give the track a feminine perspective that was missing before. All of a sudden this song becomes a female anthem. An anthem that is a celebration of female power... power where it truly belongs! I
Visuals That Match the Vibe The music video is a visual feast. Directed by Jamar A. Silva and Kwesi Q. Trotman, it features carnival scenes, vibrant choreography, and a cast of stunning women who embody the spirit of the song. From Saint Lucia’s Carnival to NYC street flair, the visuals are bold, colorful, and unapologetically Caribbean. You can watch it all unfold in Yung Bredda, Full Blown—The Greatest Bend Over (Take It Easy) Chlöe x MOLIY Remix—and trust us, you’ll want to hit replay.
So why are we so hyped up about this song? To be honest, it feels like either a new song or the version of the original song that should have been released.
- The song now has legitimacy and it feels so good with the ladies on vocals.
- The ladies balance the song, which feels like theirs, even though Yung Bredda and Full Blown control the production.
- The producers have refined the song, bringing it to a smoother flow. We love it!
- It’s still a Soca banger—but now it’s got layers. In short: this remix isn’t just a rework—it’s a revelation. Chlöe and MOLIY didn’t just join the party; they redefined it. And we’re here for every second of it.
Let us spread awareness of the Caribbean diaspora's culture.
Our goal is to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and tales of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy continues to reach a wider audience and foster creativity and connections. While you should always buy music for sale, you should avoid sharing promotional music because it denies songwriters, producers, and artists important revenue. Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Original Song Production Notes/Music Credits:
Song Title: The Greatest Bend Over
Artist/Performed by: Yung Bredda
Album Title: Big Links Riddim
Produced by: Full Blown Entertainment
Bass: Josh Richardson
Guitar: Kyle Peters
Mixed & Mastered by: N.M.G. Music
Origin: Trinidad, Republic of Trinidad & Tobago
Remixed Barbados Production
Artists/Performed by: Chlöe ?? x MOLIY ?? x Yung Bredda ?? x Full Blown ??
Production Company: Creativs Label & Perpetua Productions
Directed by: Jamar A. Silva × Kwesi Q Trotman
Director of Photography: Kwesi Q Trotman × Jamar A. Silva
EP | Producer: Kwesi Trotman & Nadya Persaud
Production Manager: Neema Thuo
Video Commissioner: Joel Borquaye & Nadya Persaud
Genre: Soca ?
? Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.
♫ Please click the small triangle button in the music player below to listen now.
Bonus Track - The Greatest Bend Over (Take it Easy) Remix featuring Sean Paul and Yung Bredda
Caribbean Artists We’re Watching — Whose Drop Are You Ready to Fête With?
By Ananda/Sokah2Soca
in
Blog
September 06, 2025
Dive deeper into Caribbean music and culture at Sokah2Soca—your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.
Soca season never really ends—it just shifts tempo. Whether you're still riding the high from Spicemas or already plotting your Carnival 2026 playlist, one question keeps bubbling up: Which artist are you most excited to hear new music from?
We’ve pulled together a list of heavy-hitters and rising stars from across the region. Some are known for lyrical fire, others for pure bacchanal energy. All of them represent the heartbeat of Caribbean creativity.
?? Trinidad & Tobago Titans
These artists have shaped the sound of Soca and Calypso—and they’re not done yet:
- Machel Montano—King of Soca, master of reinvention and high-energy performer
- Bunji Garlin—Viking of Soca, lyrical powerhouse with a dancehall edge
- Fay-Ann Lyons—Queen of Power Soca, fierce and unapologetically bold
- Patrice Roberts—Soca sweetheart with unmatched vocal range and carnival anthems
- Voice—The young legend, known for soulful melodies and conscious lyrics
- Kes the Band—Island pop fusion kings, blending Soca with global grooves
- Destra Garcia—Queen of Bacchanal, commanding stages with charisma and fire
- Olatunji—AfroSoca pioneer, bringing global rhythms to the Caribbean sound
- Erphaan Alves—Mr. Consistent, always delivering feel-good, radio-ready hits
- Preedy—Smooth operator with a knack for romantic and reflective Soca
- Sekon Sta – Soca rebel, blending tradition with edgy, modern vibes
- College Boy Jesse—The storyteller, known for witty lyrics and clever hooks
- Lyrikal—Carnival crooner, bringing emotion and energy to every track
- Anika Berry—a bold new voice with a fusion of Soca, soul, and unapologetic flair
- Yung Bredda -Viral sensation blending humor, street culture, and Soca swagger
- Melly Rose – Rising star with a sultry voice and bold visual style
- Jadel—Soca pop diva, blending sass, vocals, and dancefloor appeal
- Farmer Nappy—Veteran vibesman, champion of groovy Soca and feel-good tunes
- Tempa – Underground favorite with raw energy and streetwise lyrics
- Nailah Blackman – Genre-bending innovator, merging Soca, R&B, and Afrobeat
- Mical Teja—Soca’s new wave architect, known for infectious hooks and cultural pride
?️ Grenada – Jab Jab Royalty
- Mr. Killa—Jab King, global ambassador of Grenadian energy
- Lavaman—Crowd commander, known for wild stage antics and raw power
- Dash—Smooth Jab Soca artist with a melodic twist
- V’ghn—Groovy Soca gem, blending emotion, melody, and lyrical finesse
- Talpree—the Jab Jab icon, the voice behind timeless carnival chants
? Saint Vincent—Vincy Vibes
- Skinny Fabulous—Soca gladiator, known for anthems and lyrical dexterity
- Problem Child—The hitmaker, crafting infectious hooks and party starters
- Hance John—Soulful crooner with a groovy, heartfelt sound
? Saint Lucia—Sweet Soca Sounds
- Teddyson John—Soca balladeer, blending gospel roots with carnival soul
- Ricky T—High-energy performer with a flair for crowd control
- Umpa—Lucian lyricist pushing boundaries with bold, modern Soca
- Motto—Mr. Drilly, the genre-bending hitmaker behind the Dennery Segment wave
- Kisha Kay—Lucian songstress with a bold voice and rising star power
?️ Antigua – Island Anthem Makers
- Claudette “CP” Peters—Antigua’s vocal queen, known for soaring ballads and Soca power
- Tian Winter—Smooth Soca stylist with crossover appeal
- Menace XL—Bashment Soca innovator with a gritty, infectious sound
? Barbados—Bashment Bosses
- Lil Rick—Bashment Soca legend, master of the dancefloor command
- Leadpipe & Saddis—Dynamic duo with catchy hooks and streetwise swagger
- Hypasounds—Groovy Soca specialist with a laid-back, hypnotic vibe
- Rupee—Bajan hitmaker, blends R&B smoothness with soca fire and achieved global breakout success with the song "Tempted to Touch."
Jamaica—Teasing Soca Songs
- Klassic Frescobar—Genre-blending innovator, Bronx-raised and Kingston-rooted, bringing Zess, Bouyon, and Soca into one high-energy package
So tell us: Who’s on your radar? Drop a comment, tag us, or send a voice note if you’re feeling extra. Sokah2Soca wants to know who’s got your ears tingling and your waistline ready.
Let’s celebrate the artists who keep the culture alive—one riddim at a time. ????
Let us spread awareness of the Caribbean diaspora's culture.
Our goal is to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and tales of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy continues to reach a wider audience and foster creativity and connections. While you should always buy music for sale, you should avoid sharing promotional music because it denies songwriters, producers, and artists important revenue. Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Mixtape Title: DJ Ana Sunglasses and Soca Pt. 1 (Groovy) NAPA
Curated and Mixed by: DJ Ana
Why this mix? DJ Anna's mix has over 2 million views on YouTube
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
? Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.
♫Please click the small triangle button in the music player below to listen now.
Friday Pop Up: Celine & Jhallano Bring Fire with “Purpose” & “Block Dem”
By Ananda/Sokah2Soca
in
Blog
September 06, 2025
This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.
The future is in positive hands with Princess Celine and producer Black Starr! Today is the day we refer to as "Friday Pop Up!" For this week's "Pop Up," we have something special; it is a celebration of youthful fire, seasoned mentorship, and the kind of musical synergy that makes you pause mid-scroll and listen. The new musical fire is burning brightly in sweet Trinidad and Tobago. And today we feature the 13-year-old dynamo whose voice is already carving space in the Dancehall/Reggae scene—and her latest collab with Jhallano is proof that purpose knows no age. These songs have a vibe!
We are here to present to you and to celebrate, via an interview, new music: "Purpose" and "Block Dem." Celine and Jhallano’s new track “Purpose” is a Dancehall/Reggae fusion that hits with clarity and conviction. It’s not just a vibe—it’s a statement. The lyrics express resilience, self-worth, and an unwavering inner fire, regardless of the surrounding noise.
And then there’s “Block Dem,” Celine’s solo bounce on the 90s Bounce Riddim—a playful yet assertive anthem that channels vintage swagger with Gen Z precision. It’s cheeky, confident, and unmistakably hers.
The interview took place on the Ojo World TT prime show "Madder Drive." Shal Marshall brought out his smiling personality and added a little magic to the interview. He was enthusiastic and celebrated the talent of Princess Celine. The trio—Celine, Jhallano, and producer Black Starr—recently appeared on The Madder Drive with Shal Marshall, Goofy, and Ding Dong, and the energy was electric. Shal couldn’t help but marvel at Celine’s poise and lyrical sharpness. He noticed that she’s already showing the instincts of a seasoned performer.
Black Starr told the story about how he met Celine at age five and from that time he has been mentoring her—she is now thirteen years old, still a baby in the music world. He shared insights about her growth, discipline, and creative process. His mentorship is clearly more than musical—it’s foundational. Then there is Jhallano. He’s not just a collaborator; he’s a co-conspirator and an inspiration, he is focused on elevating young talent and pushing the genre forward.
The future of Celine and her path to a successful music career look excellent. What stood out most in the interview wasn’t just the music—it was Celine’s clarity of vision. She spoke about her love for writing, her dream of performing on big stages, and her commitment to staying grounded. She is poised and exhibits a quiet confidence in her delivery, the kind that suggests she’s not here for a moment—she’s here to build a legacy. We are confident that with her current team, she will be successful.
? Sokah2Soca Says…
Princess Celine’s emergence is a reminder that Caribbean music is constantly evolving, always regenerating. With mentors like Black Starr and collaborators like Jhallano, she’s stepping into a lineage of artists who blend tradition with innovation. Trinidad and Tobago is not just about Calypso, Steelband and Soca; we can do it all, and we’re here for it.
So go ahead—stream “Purpose,” bounce to “Block Dem,” and keep your eyes on this rising star. Because if this is what 13 sounds like, the future is sounding really sweet.
Let us spread awareness of the Caribbean diaspora's culture.
Our goal is to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and tales of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy continues to reach a wider audience and foster creativity and connections. While you should always buy music for sale, you should avoid sharing promotional music because it denies songwriters, producers, and artists important revenue. Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Interview: Celine, Black Starr and Jhallano
Show: OJO World TT Madder Drive with Shal Marshall, Goofy and Ding Dong
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Dancehall/Reggae ?
? Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.
♫ Please click the small triangle button in the music player below to listen now.
“Thelma” by Cherbz: A Calypso Dispatch from the Barbadian Frontlines
By Ananda/Sokah2Soca
in
Blog
September 06, 2025
This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.
Cherbz’s 2025 offering, “Thelma,” arrives with a quiet urgency, reflecting the grand tradition of calypso as a social mirror and moral compass, rather than with fanfare. Thelma was written by Tyrell Cherubin-Alleyne and brought to life by Centipede Island Records and arranger Roger Gittens. “Thelma” is a conversation that brings to life many ills affecting daily life in Barbados—it's a neighborly exchange that spirals into a list of national woes and a reminder to guard one’s peace amid the chaos.
?️ It is story time and it's all about an inquisitive neighbor named Thelma. At the heart of the song is a simple premise: Cherbz recounts a conversation with his neighbor, Thelma, a member of the press. She stops by to vent, to share, and to unload the weight of what she’s been witnessing in Barbados. From political missteps to economic strain, social unrest, to cultural erosion, Thelma’s words tumble out like headlines in a newsroom gone rogue.
But Cherbz, ever the calypsonian sage, listens and then offers a refrain that becomes the song’s emotional anchor: “Don’t get caught up in that!”
It’s not apathy—it’s survival. Every day, the news cycle feels like total dysfunction is taking place. Cherbyl's advice, while apparently avoiding the issues at hand, feels more like a coping mechanism. After all is said and done, Cherbyl, like most people, feels like 'making noise' is pointless and that the state will do what they want, when they want, so why bother?
?Ahh, the music—the sound is all about the brass, groove and grit of the Bajan Calypso. There is something special about Bajan music and though Bajan Calypso does not get the credit it deserves in the Caribbean, the songs are rich in lyrical and musical excellence. This song is a credit to the production team:
We have Mark Husbands on the track with the beautiful sounds of the trombone, keys, and drums that pulse with quiet intensity.
The guitar work stands out with John Matthew's steady, almost meditative rhythm—like the calm just before the storm, silent but full of meaning and vibe.
Background vocals by Orande Hamilton support and reinforce the vocals echoed by Cherbz.
Jerome "King Switch" Massiah finally polishes the production through mixing and mastering. All adding up to an excellent music production.
? Calypso music is the voice of the people. Today this commentary serves as Cultural witness. “Thelma” doesn’t shout—it speaks. And in doing so, it honors calypso’s role as both storyteller and social critic. Cherbz doesn’t offer solutions; he offers perspective. The song maintains its specificity without naming names or assigning blame. This song provides a snapshot of a country, like many others in the Caribbean, of neighbors talking about 'what is wrong' but at the same time showing how disillusioned people have become.
?Some may say, "I've been there, done that, and heard this story before," while others may argue that this is a song for our time. In the end, Thelma, the song, suggests this: we should listen, reflect, and protect our peace. Cherbz’s delivery is understated but powerful, and the production is a testament to the collaborative spirit of Barbadian musicianship.
“Thelma” is not just a song—it’s a reminder. In the face of national turbulence, sometimes the most radical act is simply to say, “Don’t get caught up in that.”
Let us spread awareness of the Caribbean diaspora's culture.
Our goal is to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and tales of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy continues to reach a wider audience and foster creativity and connections. While you should always buy music for sale, you should avoid sharing promotional music because it denies songwriters, producers, and artists important revenue.Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Thelma
Artist/Performed by: Cherbz
Written by: Tyrell Cherubin-Alleyne
Composed by: Centipede Island Records
Arranged by: Roger Gittens
Trombone, Keys & Drums by: Mark Husbands
Trumpet by: Andre Blackett
Guitar by: John Matthews
Background vocals by: Orande Hamilton
Mixed & Mastered by: Jerome "King Switch" Massiah
Origin: Barbados
Genre: Calypso ?
Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
? Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis.
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.
♫ Please click the small triangle button in the music player below to listen now.