Turn Up the Vibes with "We Louder" by Yung Bredda x NMG Music
By Ananda/Sokah2Soca
in
Blog
December 06, 2025
Dive deeper into Caribbean music and culture at Sokah2Soca — your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.
Carnival 2026 is shaping up to be unforgettable, and Yung Bredda clearly has no intention of slowing down. Just when you thought he might take a breather, he’s back with another release that demands attention. The track is called We Louder, and it’s part of the Bucket List Riddim. From the very first note, you can feel that this one is built to move people—it’s a song that insists on being heard, felt, and danced to.
What makes We Louder stand out is the way it’s put together. N.M.G Music handled the recording, production, mixing, and mastering, and the result is a high‑energy soca groove that feels tailor‑made for chippin’ down the road. But it’s not just another soca track; there’s something different here. The vibe is fresh, almost rebellious, with a pulse that makes you want to shake something without even realizing it. That edge comes in part from the rock‑and‑roll guitar riffs laid down by Kyle Peters, whose tireless playing adds grit and texture to the rhythm. Layered on top are the background vocals from Kizzie Huggins, giving the track warmth and depth that balance the energy perfectly.
Then there are the lyrics, written by Shumba. "You loud, we louder. You proud, we prouder, liquor and Soca, shutting the whole place down." These are playful but still commanding lyrics that keep pushing the idea of taking over the party and bringing new vibes. Lines like “every dance is new” and “we only take over” capture the spirit of Carnival itself—renewal, energy, and the joy of being louder, prouder, and freer with every step. It’s the kind of lyrical hook that sticks in your head and becomes part of the collective chant on the road.
Put it all together—N.M.G.’s production, Kyle Peters’ wicked guitar work, Kizzie Huggins’ harmonies, and Yung Bredda’s commanding delivery—and you’ve got a track that feels destined to be a Carnival anthem. It’s different, but it feels so right. It’s music that makes you want to move, to celebrate, to claim space. And that’s why Sokah2Soca is recommending We Louder. This is the sound we will be dancing to and the vibe we will carry into Carnival 2026. Turn it up, because Yung Bredda is here to remind us all: we are louder.
What makes We Louder stand out is the way it’s put together. N.M.G Music handled the recording, production, mixing, and mastering, and the result is a high‑energy soca groove that feels tailor‑made for chippin’ down the road. But it’s not just another soca track; there’s something different here. The vibe is fresh, almost rebellious, with a pulse that makes you want to shake something without even realizing it. That edge comes in part from the rock‑and‑roll guitar riffs laid down by Kyle Peters, whose tireless playing adds grit and texture to the rhythm. Layered on top are the background vocals from Kizzie Huggins, giving the track warmth and depth that balance the energy perfectly.
Then there are the lyrics, written by Shumba. "You loud, we louder. You proud, we prouder, liquor and Soca, shutting the whole place down." These are playful but still commanding lyrics that keep pushing the idea of taking over the party and bringing new vibes. Lines like “every dance is new” and “we only take over” capture the spirit of Carnival itself—renewal, energy, and the joy of being louder, prouder, and freer with every step. It’s the kind of lyrical hook that sticks in your head and becomes part of the collective chant on the road.
Put it all together—N.M.G.’s production, Kyle Peters’ wicked guitar work, Kizzie Huggins’ harmonies, and Yung Bredda’s commanding delivery—and you’ve got a track that feels destined to be a Carnival anthem. It’s different, but it feels so right. It’s music that makes you want to move, to celebrate, to claim space. And that’s why Sokah2Soca is recommending We Louder. This is the sound we will be dancing to and the vibe we will carry into Carnival 2026. Turn it up, because Yung Bredda is here to remind us all: we are louder.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: We Louder
Artist/Performed by: Yung Bredda
Written by: Shumba
Background Vocals by: Kizzie Huggins
Recorded, Produced, Mixed and Mastered by: N.M.G Music
Rock and Roll Guitars by Kyle Peters
Artwork and Animation by: Yung Rudd
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca are thriving!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
Your Ultimate Guide to Carnival Speak: What Every Reveler Should Know 2026
By Ananda/Sokah2Soca
in
Blog
December 06, 2025
This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.
Trini lingo is sweet like sugar cane so you need to get up to speed with what we lovingly call, and make reference to as, Triniglish (Trini English). Foreigners would refer to it as "creole," so let's see if we can help understand some of our local dialect. Here we go, so you are heading to the Caribbean for carnival! Well, don't be caught off guard by the term "liming" (which means hanging out): Learn to talk like a Trini; we bring you the Must-know terms you should know. In other words, we want you to learn the Lingo Before You Whine! Carnival encompasses more than just feathers, fetes, and flag-waving—it's a comprehensive linguistic exercise. If you've ever wondered if a crowd's yelling "Bacchanal!" is a compliment or a warning, this post is for you.
We’ve decoded the essential Carnival terms so you don’t end up mistaking “dutty” for an insult or “horn” for a musical instrument. Whether you're a first-time masquerader or a seasoned soca scholar, this glossary will have you talking like a Trini, whining like a pro, and navigating the madness with style.
If you don't understand the words used in Carnival, you could potentially miss out on the exciting atmosphere.
Essential Carnival Terms:
- Bacchanal: Wild, chaotic celebration, drama, or revelry; often used to describe the high-energy, sometimes scandalous, atmosphere at Carnival events.
- Band: An organized group you join to participate in the parade, outfitted with themed costumes and enjoying coordinated music, food, and drinks.
- Calypso Monarch: This is the title awarded to the winner of the prestigious annual Calypso competition held during Carnival in Trinidad & Tobago (and other Caribbean islands). This contest crowns the year’s top Calypsonian—an artist skilled in composing and performing calypso songs.
- Fête: A lively Carnival party, often featuring Soca music, dancing, and a vibrant atmosphere. Fête is at the heart of pre-Carnival festivities.
- Mas: Short for "masquerade"; refers to the parade event and the creative costumes worn by participants. "Playing mas" means joining a band in costume on the parade route.
- Dutty Mas: “Dutty-Mas” is a wild, paint-soaked, powder-covered celebration of freedom, chaos, and pure Carnival joy—where getting messy is the whole point.
- Mas Camp: The headquarters or main meeting point for a Carnival band where costumes are distributed and preparations are made.
- Masquerader: Someone participating in the parade while dressed up in costume.
- Chipping/Chippin': A style of dancing or shuffling along the street behind the music truck, typical during Carnival parades.
- Frontline/Backline: "Frontline" refers to the most elaborate costumes within a band section, while "backline" costumes are a simpler but still festive version.
- Frufru (Frou-Frou): The embellishments and decorative extras added to make costumes stand out.
- J’ouvert: From the French "jour ouvert" (day open), a dawn or early morning parade marked by paint, mud, and spontaneous revelry; it kicks off Carnival's main day.
- Last Lap: The final event or party of the Carnival season, signaling the culmination of the festivities.
- Tabanca: The sadness or longing that people feel after Carnival ends. It's like "post-Carnival blues" until the next season.
- Wine/Whine/Wining/Whining: Used in Trinidad and Tobago. This sensual dance style, which focuses on rhythmic, gyrating movements of the hips, is central to dancing at Carnivals.
- Wuk Up: This term is popular in Barbados. A fast-paced, energetic hip and waist dance, common at Carnival and related to ‘wining.’
- D'Road: The parade route where bands play and masqueraders perform; to be "on the road" is to be in the heart of the Carnival
- Road March: This is a prestigious title in Caribbean Carnival culture, especially in Trinidad & Tobago. The title is awarded to the Soca song that is played most frequently by bands, DJs, and masqueraders as they parade along the official Carnival route, known as "the road," during Carnival Monday and Tuesday.
- In Soca, "Riddim" refers to the instrumental rhythm or beat that serves as the backbone of a track.
- Soca Monarch: This refers to a highly celebrated competition held during Caribbean Carnival—most famously in Trinidad & Tobago—that crowns the best Soca artist or performer for that year.
- Iron: See more re: Engine Room. Percussion instruments (steel pans, triangles, etc.) are fundamental to live Carnival music in Trinidad and Tobago.
- Monday Wear: Creative, more relaxed costumes worn by masqueraders on Carnival Monday, before the full costume display on Tuesday.
- Jump and Wave: (Made popular by Super Blue) A popular dance move and call to action, where participants jump and wave their hands to Soca music, especially during high-energy segments.
- Steel Band: A musical group playing steel drums, which are iconic in Caribbean carnivals.
- Engine Room: The "engine room" of a steelband orchestra refers to the section comprised of unpitched percussion instruments that provide the rhythmic drive and timing for the entire ensemble.
These terms don’t just define Carnival—they embody it. Every word and phrase is full of rhythm, fun, and resistance. This lingo, from "dutty" to "bacchanal," captures the pulse of the people, the parade's poetry, and the joy of being part of something bigger
It’s music in motion. It’s creativity with a flag in hand. The community is present on the road, at the fête, and throughout the diaspora.
So whether you’re chipping down the street or schooling your crew on what “horn” really means, remember: Carnival speak isn’t just vocabulary—it’s vibes. At Sokah2Soca, we celebrate every syllable.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Essential Carnival Terms
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Carnival, Calypso, Steelband, Soca ?
Featured Song: "Trinidad Sweet" by Voice x V'ghn
? Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫ Please click the small triangle button in the music player below to listen now.
Dive deeper into Caribbean music and culture at Sokah2Soca — your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.
Mical Teja is today's version of the Calypso griot; his songs and lyrics weave stories of our culture into music that feels timeless and current. His latest project, WE CALYPSO, featuring Karene Asche, is more than just a song—it’s a total concept brought to life in sound and vision.
Once again, Teja delivers music that will last long after carnival is over. His songwriting skills shine in another brilliant composition; he reminds me of the talent that was calypsonian "Merchant." "We Calypso" is a vibrant celebration of calypso. The song brings unity and community to the forefront and, along with the power of music, has the capacity to bring people together, It reminds us of the genre’s enduring role in Trinidad and Tobago’s cultural heartbeat.
As mentioned previously, Teja is a brilliant songwriter. Teja's songwriting abilities highlight calypso’s deep cultural roots and, at the same time, showcase the genre's ability to make people dance, smile, and feel good. It’s a reminder that calypso is not just music—it’s joy, history, and identity. It is the mother music from which Soca came and rushed into prominence.
A song can touch the soul, but with visuals that connect, the entire story is told, linking both our auditory and visual senses and bringing clarity to the project. The official video features Mical Teja and Karene Asche performing alongside a live band. We love the vibe; the energy is infectious, the visuals are so appealing, and the performance captures the spirit of calypso in motion—community, rhythm, celebration, afro hairstyles, bell-bottom pants, and rainbow clothing colors. The concept video and music production capture a period in our history that many call epic.
Our music and culture is on full display with this production bringing sweet Soca music with Calypso vibes. It feels like mother calypso giving birth, once again, as Soca pushes from the hands that pries the rhythm from the drum kit. The vibe and energy are there. The vocals are outstanding, the production is precise, and the sound engineering is impeccable. There is nothing to complain about here. The music, lyrics, and video together paint a vivid picture that reflects positively on both the producer and the culture of Trinidad and Tobago. Mical Teja and Karene Asche deliver excellence, and we at Sokah2Soca are proud to give a positive review of WE CALYPSO.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Production Notes/Music Credits:
Song Title: We Calypso
Performed by: Mical Teja x Karene Asche
Written & Produced by: Mical Teja
Mixed & Mastered by: Nikholai Greene (NMG Music)
Label: Teja Music Ltd.
Release Date: December 2, 2025
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Calypso/Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca are thriving!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
From Riddim to Resonance: Kaiso Dial, A Calypso Blog in the Making
By Ananda/Sokah2Soca
in
Blog
December 06, 2025
Kaiso Dial, our newest blog dedicated to the timeless art of Calypso. This space is built to celebrate Trinidad and Tobago’s first music—its wit, rhythm, and cultural power—while giving fans a fresh digital home to tune in, connect, and say, “Kaiso, Kaiso, yes, Kaiso!”
With Kaiso Dial, we’re expanding the Sokah2Soca family to spotlight calypso’s living archive: from Sparrow’s lyrical brilliance to Chalkdust’s fiery commentary and the unforgettable energy of midnight tents. This is more than nostalgia—it’s a signal stage for heritage, resistance, humor, and truth.
Step into the frequency. Explore mixtapes, new releases, artist features, and cultural insights—all designed to keep calypso alive and resonant for generations to come. Sokah2Soca is proud to carry this tradition forward, and Kaiso Dial is your nonstop portal to the heart and soul of calypso.
Dial in to the Kaiso vault, the Kaiso Dial, for sweet calypso mixes, artist spotlights, and cultural insights—all rooted in the rhythm of Carnival and the legacy of lyrical storytelling.
24/7/365 access means the music never sleeps. From vintage vinyl to digital vibes, we’re always on air.
Dial into kaiso—your signature call to action. Share it. Shout it. Live it.
Carnival heritage and classic calypsos form our cultural grounding. This isn’t just nostalgia; it is more than that—it’s a living archive, a celebration of resistance, humor, and truth.
Caribbean music storytelling is our broader mission. We amplify voices, preserve legacies, and invite new generations to tune in.
So, tell your friends, your crew, and any and all Calypso fans because Kaiso Dial is live. The mic is hot. The signal is strong.
Visit the site now—just follow this link: Kaiso Dial
