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This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.

 
This is your passport, your invitation to see how Trinidadians celebrate and have fun. Carnival is coming, and the sweetness of Nadia is spreading across the island. This is Nadia time and we love everything she has delivered to date. The invitation is vibrant and full of Nadie vibes. Like Nadia, the song embodies the spirit of Carnival celebration. Cowritten by Nadia Batson, Erikkson George, and Keron “Sheriff” Thompson, and produced by Don Iko with final polishing by Madman Johann, the song is a solid offering that would bring the energy to all carnival revelers and fete fanatics. Kyle Peters' guitars and bass add a rich musical layer, providing the song with both groove and warmth.
 
It's not complicated; everyone is invited, and the lyrics extend a call to joy—an “invitation” to dance, raise hands, and immerse oneself in the collective energy of the festival. Yes, we feel really nice! Nadia's joyful play and delivery is playful yet commanding, urging listeners to abandon hesitation and join the rhythm. 
 
While we love the song, now that is very important, we have to consider the impact of the video. It  amplifies this atmosphere: Nadia Batson leads the performance with charisma, surrounded by dancers and a live rhythm section. The visuals capture the essence of Soca—movement, color, and community—transforming the song into a full sensory experience. And you know you just can't take your eyes off Nadie!
 
Now let's get our carnival checklist in order for this song:
  • The theme is celebratory: You are invited to an inclusive experience that welcomes everyone to the party.
  • The music produced by Don Iko drips with carnival energy and vibes.  Live instrumentation (guitars and bass) blends seamlessly with Soca’s percussive drive.
  • The look is captivating and exciting.  The dancers and rhythm section mirror the song’s infectious vibe, reinforcing its Carnival roots.
Someone commented that this song will sound excellent as a panorama piece. I have to agree, but it may be too late to change courses for a panorama arrangement. While we consider this idea, the letter to all carnival fans, "The Invitation," translates into an energetic movement and becomes more than just a song—it’s a call to community and celebration, perfectly aligned with Soca’s role as the heartbeat of Trinidadian Carnival.
 
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists.  You can find all of our posts online on social media platforms like FacebookYouTubeInstagramSpotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS FeedThreadsBluesky, and Twitter/X, including email subscriptions. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: The Invitation 
Artist/Performed by: Nadia Batson
Written By: Nadia Batson, Erikkson George & Keron "Sheriff" Thompson
Produced By: Don Iko
Background Vocals: Nadia Batson & Don Iko George
Guitars & Bass: Kyle Peters
Additional Production: Quiet Storm
Additional Production: Kyle Peters
Horn Arrangement: Justin Phillip
Trumpet: Christopher Sam
Tenor Saxophone: Jamie Ghany
Trombone: Justin Phillip
Horns Recorded By: Kevin Inniss
Mixed & Mastered By: Madman Johann
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
 
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca are thriving!
 
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.

Dive deeper into Caribbean music and culture at Sokah2Soca—your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.

 
Sometimes the most interesting things pop up in casual conversations. Recently, while watching a podcast, the discussion drifted to Parang Soca and Soca Parang. The hosts laughed it off, saying there’s really no difference between the two. While in the WACK Visual Radio chat box, I mentioned the discussion and was prompted by box police, Lenny, to do an article explaining the differences. I was confident I could make it happen because that moment brought to mind a conversation I once had with music producer Kenny Phillips, who explained it to me in a manner that was entirely clear and comprehensible.

It turns out, there are clear distinctions—and they matter if we want to respect the traditions and evolution of the music. Too often, misinformation becomes repeated until it feels like fact, and that’s how confusion spreads. I've outlined the distinctions in concise bullet points below to ensure clarity and maintain everyone's focus. Think of the information as a quick guide to avoid falling into the trap of misunderstanding these genres that are so deeply tied to our culture.

Parang

  • The genre, rooted in Venezuelan and Spanish traditions, was introduced to Trinidad & Tobago.
  • The song incorporates cuatro, mandolin, guitar, box bass, and maracas.
  • Sung in Spanish or English with themes of Christmas, family, and festivity.
  • The rhythm is folkloric, acoustic, and storytelling-driven.
  • It is the mother genre from which the hybrids evolved.

Parang Soca

 

  • The traditional parang rhythm drives the song, while modern electronic instruments, such as the bass guitar and keyboards, add a soca flavor.
  • The vibe is festive, yet it still retains the essence of parang at its core.
  • For example, Scrunter’s "Madame Jeffrey" and Crazy’s "Muchacha" showcase a parang rhythm infused with the brightness of soca.

Soca Parang

  • Here, Soca is the dominant rhythm.
  • The bassline and groove are unmistakably soca, with parang instruments and themes added for seasonal flavor.
  • Lyrics often focus on Trini Christmas staples (ham, sorrel, and black cake) but are delivered in soca’s upbeat style.
  • Example: Baron’s Spanish Woman or Machel Montano’s Soca Santa—Soca first, Parang second.

At the end of the day, Parang, Parang Soca, and Soca Parang each carry their identity, shaped by history, rhythm, and cultural intent. The confusion often comes from casual conversations where the terms are tossed around interchangeably—but as Kenny Phillips reminded me, the distinctions are real and worth preserving.

By keeping these differences clear, we not only honor the artistry of the musicians who shaped them but also protect the richness of Trinidad and Tobago’s musical heritage. So the next time someone says, “There’s no difference,” you’ll know better—and hopefully, you’ll help spread the word that these genres deserve to be understood on their terms.

?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca are thriving!
 
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.

This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.

 
It's that time of the year again and the drippy drop of the Power Soca song is happening. Indeed, the Power Soca rage has officially begun, and Fay-Ann Lyons is leading the charge with a fast-paced adrenaline surge that will set the tone for Carnival 2026. Today we present her brand-new release: “Say When (Guardians Riddim),” a collaboration with Black Starr Pro that delivers pure energy for the road.
 
This one hits hard and the truth be told, “Say When” is built for the Power Soca faithful—those who thrive on speed, stamina, and pure Carnival adrenaline. Fay-Ann’s commanding vocals ride the Guardians Riddim with unstoppable force, making this track a guaranteed crowd igniter.
 
Listen to the songs on the Guardian Riddim and come back and tell us if you think  Fay-Ann slayed the accompanying cast of singers... we think so! Now share this post with your social media peers and help us keep our number one rating online. 
 
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists.  You can find all of our posts online on social media platforms like FacebookYouTubeInstagramSpotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS FeedThreadsBluesky, and Twitter/X, including email subscriptions. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: Say When
Artist/Performed by: Fay-Ann Lyons
Produced by: Arnold Black Starr Noel / Black Starr Productionz ​ 
Written by: Fay Ann Lyons ​ 
Mixed & Mastered by: Madmen Productions ​ 
Recorded at: Bad Beagle Studio ​ 
Label: Larnox Global Entertainment Ltd., under exclusive license to Diaspora Sound
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
 
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca are thriving!
 
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.

Dive deeper into Caribbean music and culture at Sokah2Soca — your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.

 
David Rudder gave us High Mas… and today, Ding Dong is blazing the trail with Higher Mas! This track is pure fire and easily one of his best to date. Sokah2Soca proudly  presents this exciting song from Ding Dong. 
 
David Rudder gave us High Mas… and today, Ding Dong is blazing the trail with Higher Mas! This track is pure fire and easily one of his best to date. Sokah2Soca proudly  presents this exciting song from Ding Dong. 
 
The song bursts with rhythm and vibes, evoking joy, freedom, and celebration. Ding Dong paints a picture of carnival spirit at its peak through lyrics that describe being at a party, experiencing a feeling like a love potion, and wanting to “fly away.” The refrain “Keep on getting higher” drives home the theme of elevation—lifting spirits, lifting energy, and lifting the masquerade. He lives in the world of the 'Higher Mas' and loves every moment. 
 
Key highlights of Ding Dong's "Higher Mas."
  • An infectious rhythm that exuded carnival joy: Infectious beats that make you move.
  • It is a celebration of life and the love for Carnival: Lyrics that capture the essence of festivity.
  • Vibes from ChippyG and AdvoKit Productions that hit the sweet spot: The mantra of “getting higher” fuels the party spirit.
  • The surprising growth of  Ding Dong the Soca Artist: A performance that cements his place among the season’s top voices.
This song is one of the best released so far for Carnival 2026. The bass resonates deeply in your chest. Ding Dong can't explain the feeling he is experiencing but his body take control... it is a  spiritual feeling that can only be felt and experienced when taking part in that 'Higher Mas!' As we head into Carnival 2026, Sokah2Soca wishes Ding Dong all the best for the upcoming festivities. This song will resonate at fetes and in any location where the music is played. At Sokah2Soca, we fully approve of Higher Mas—this song is a true celebration in sound!
 
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists.  You can find all of our posts online on social media platforms like FacebookYouTubeInstagramSpotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS FeedThreadsBluesky, and Twitter/X, including email subscriptions. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: Higher Mas
Artist/Performed by: Ding Dong
Written by Kitwana Israel, Jahmike “Christo” Bonas, Andre “Ding Dong” Houlder and Kernell Roberts
Additional Guitar by Kyle Peters
Produced by ChippyG and AdvoKit Productions
Mixed and Masters by AdvoKit Productions
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
 
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca are thriving!
 
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
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