Don’t you know that Trinis love their callaloo & calypso? Oh yes, they do! This presentation by DJ Aaron 868 serves up a rich, flavorful blend of classic and contemporary Calypso from one of WACK Radio’s most beloved selectors. We’re confident you’ll have these selections presented here on the Dial for your listening pleasure.

 

DJ Aaron 868 has a gift for stitching songs together with smooth transitions and deep cultural intuition, and the YouTube comments already show how much listeners appreciate this well‑curated Calypso mix. While everyone is out searching for Soca mixtapes, we believe Calypso mixtapes are long overdue. Many DJs don’t realize what they’re missing, but Aaron is tapped directly into the heartbeat of the culture—and we are the beneficiaries of this excellent musical selection.

 

This is the kind of set that reminds the diaspora why Calypso remains the heartbeat of the people—storytelling, rhythm, and heritage simmering in one pot. We love it, and we’re pleased to bring it to you today to spark that Calypso fire in your soul. So dial into the music, enjoy, and let your friends know you found it here at the Dial—your Calypso dial!

 

In her newly released calypso, Ah Nation on Medication, Shirlanee Hendrickson offers a deceptively simple yet piercing reflection on Trinidadian life.  The song's message is basic: she states that every nation has its problems, but in Trinidad, we meet ours with a peculiar mix of complaint, humor, and resignation. The production by Jr. Soy Production Studios is lively and foot-tapping, making this one a song that will eventually 'creep up on you!'

 

She explains that this is a Trini thing and  that “we like it so.” It’s a well-known Trini phrase about how we complain about just everything on a daily basis—griping about issues yet accepting them as part of the rhythm of daily life. Rather than dramatize or despair, the singer frames the nation’s response as one of quiet endurance, likening it to taking a Tylenol or Panadol.  As simple as the message is, the idea is clear: medication dulls the pain but doesn’t cure the cause, and in the same way, society finds ways to cope without demanding any major attitude change. 

 

This calypso is not about grand solutions or fiery protest. Instead, it mirrors the everyday attitude of “such is life.” It’s a commentary on resilience, but also on complacency—how a people can normalize dysfunction while still finding joy in the music, the humor, and the shared experience of survival. C'est la vie!

 

Shirlanee’s delivery is light; the video makes everything look humorous with contorted facial expressions, making the message resonate beyond politics or policy. A simple song? Listening to her rendition, one may think so, but listen carefully and you will understand that it is a  reminder that calypso thrives not only on sharp satire but also on capturing the subtle ironies of Caribbean living.

 

Ah Nation on Medication is a mirror held up to Trinidadian society: witty, understated, and deeply familiar. It asks us to reflect on whether our coping mechanisms are a strength or a weakness—and whether “liking it so” is a cultural badge of resilience or a symptom of deeper malaise.

 

Oh my goodness, the myth of the Trini Smart Man just got debunked by Chromatics! "Land of the Smart Man" is a hilarious song that guarantees a belly full of laughter—I absolutely love it!  This song is a sharp cultural commentary wrapped in an old‑school calypso feel. Written and sung by Chromatics, produced by DJ Sly Dx Artist, and featuring background vocals by Sherisse Collymore, the track draws on the Trinidadian archetype of the “Smart Man”—the scoundrel, hustler, or trickster who thrives on deception and opportunism.

 

Cultural Resonance is crucial. Of course we knew what a 'smart man' was, but we went online for the dirt and came up with the following bullet points:

• In Trinidadian slang, a “Smart Man” is not a compliment. It describes:
• Deceptive opportunists who exploit trust for personal gain.
• Small‑time hustlers selling fake tickets or promises.
• Corrupt figures who manipulate systems for profit.
• Respectable pretenders who look polished but hide dishonest motives.

Chromatics employs this archetype to create a vivid portrayal of a society where trickery is normalized, reflecting the everyday frustrations of citizens living in what many refer to as a “smart‑man society.”

 

The production notes highlight the musical elements, reflecting our interpretation of the song's feel.

• Andre Tanker’s “Linstead Market” sample grounds the track in Trinidad’s musical heritage, bridging folk tradition with modern commentary.
• The intro and outro's guitar strumming harkens back to the golden age of calypso, a period when rhythm and wit effectively conveyed storytelling.
• Sherisse Collymore’s harmonies add warmth and depth, balancing Chromatics’ sharp lyrical delivery.
• DJ Sly Dx Artist’s production blends old and new, keeping the groove rooted yet fresh.

This isn't just an ordinary calypso. Oh hell no, it is Caribbean-style storytelling that feels like you are at home in a backyard lime and someone is strumming a guitar and telling this very compelling story. CChromatics is not just a radio host; he is one of Trinidad’s most talented artists, possessing a unique gift for narrative calypso storytelling. His voice carries both critique and celebration, exposing the scoundrels while honoring the resilience of ordinary people. The approval of the song by listeners underscores its cultural weight: it serves as both a throwback and a timely reminder of the challenges Trinidadians face.

 

This project feels like a modern calypso parable—a reminder that wit, rhythm, and sharp social commentary remain the backbone of Trinidadian music. I keep saying it, but I have to repeat: I am so pleased to have created Kaiso Dial to feature Calypso music alongside our sister blog, Sokah2Soca. Kaiso, Kaiso... Yes, Kaiso!

 

 

Every political cycle, politicians unexpectedly become your closest allies. They’re everywhere—often seen shaking hands, kissing babies, and making themselves accessible. But once in the office, the story changes. You can call, write letters, or send emails daily, and you’ll be lucky if anyone responds. This is the reality of modern societies. It’s not just an island issue—gaslighting the public has become the norm for politicians worldwide.

 

Enter today’s featured Calypso: “Dream Sellers.” The voice of the people, telling it like it is, calls the shots. This song doesn’t just call balls and strikes—it delivers griot‑style political and social commentary with a knockout punch aimed at politicians of every stripe.

 

Written by Roxy Singh and Carver Thompson, Dream Sellers not only chastises politicians but also highlights the gullible citizens who fall for false promises, only to lament when leaders reveal their true colors. Some even bury their heads in the sand because, as we say in the islands, “We Like it So!”

 

Musically, the track is vibrant and infectious, produced by Carver Thompson of Ebony Sound Factory. It’s a song with a message, yet it’s lively enough to make you dance—or at least tap your feet if you choose to sit and listen. A sweet Calypso vibe, carrying weight and joy in equal measure.

 

We can't forget to share some flowers for the singer: Lystra sings her heart out and delivers an excellent vocal performance with calm assurance and quiet confidence, qualities that bode well for her journey into the Calypso Monarch competition. We hope to see her perform this piece at Skinner's Park in San Fernando for Calypso Fiesta.

 

As Carnival 2026 approaches, we celebrate this Calypso for its message, its music, and its delivery. Share this post with your social media contacts to help spread the word and give Dream Sellers the recognition it deserves.