Today we feature Kerwin Du Bois's latest music release for Carnival 2024 in Trinidad and Tobago. This song, "Benderella," could easily catch fire if the radio stations paid attention to what listeners showed interest in. People love songs that glorify women and put them in control, even in promiscuous ways. Benderella will create chaos "on the road" for Carnival 2024!

 

Please be advised that the music is presented here for your listening pleasure and for promotional purposes only ("Fair Use" Musical Content Copyright Disclaimer Under Section 107 of the Copyright Act 1976). No copyright infringement is intended! We don't own the rights to this music, and it is presented here for promotional use only. We encourage you to promote the artists and their music; please don't download and share the music and rob the artists of needed income!  I, nor this blog, make any claims of ownership over any of the videos, songs, photos, or graphics used for this post because they all belong to their respective owners.

 

This post is a collaboration by this blog writer, aka Santiwah, and an anonymous friend. I will confess here that I suffer from anxiety and the demons that stress can bring about. You may have been a fan of this blog for years, but you cannot find me in most carnival activities because I have not been brave enough, or strong enough, to harness the power to deal with my demons. Patrice may have laid the foundation for a new me, having said that, this collaborative effort below deals with the song "Anxiety." At the same time, we extend our sincere condolences to Patrice Roberts on the passing of her fiance, Ricardo Drue. Our condolences are also extended to Drue's family, friends, and everyone who loved Drue and his music. 

 

Shared thoughts (Santiwah and Anonymous):

In Patrice Roberts' "Anxiety," a Soca beat becomes a poignant pulse for honesty. Stripped bare of the vibrant energy that typically defines the genre, this song emerges as a confession, a whispered conversation with her mental state, and, as Roberts herself proclaims, her most sincere offering yet.

 

"Anxiety" confronts the elephant in the Soca room, the unspoken struggles with self-doubt, stress, and loneliness that can lurk beneath the glitter and revelry. Roberts delves into the complexities of her own mental health, laying bare her ongoing battle with anxiety. The lyrics sting with vulnerability, speaking of feeling "foreign" in her own skin, the ever-present "what ifs" gnawing at her confidence.

 

But within this vulnerable terrain, "anxiety" also blooms with resilience. Patrice finds solace in the very music she creates, singing about how she "needs" carnival, its vibrant energy serving as her remedy, her therapy. The rhythmic pulse takes on a life of its own, transforming from confession to affirmation, each beat a declaration of the strength found in facing vulnerability head-on.

 

Here, Patrice Roberts becomes not just a Soca singer but a voice for a community often cloaked in the joyous facade of performance. "Anxiety" shatters the illusion, encouraging open dialogue about the mental health battles that can affect anyone, even those who bring us sunshine on the dance floor.

 

By owning her struggle, Roberts does more than offer personal catharsis. She invites others to embrace their own shadows and find strength in shared vulnerability. "Anxiety" isn't just a Soca song; it's a conversation starter, a bridge built from honesty and a shared rhythm of the human experience. As Patrice sings, "I speak my language," and in doing so, she gives voice to an unspoken truth, inspiring others to do the same.

 

"Anxiety" may not be the Soca track you expect, but it's one that Soca desperately needs. It's a raw, honest exploration of the human behind the performer, a reminder that even the bright stars on stage grapple with shadows. And in the end, it's that very honesty that makes the song resonate, a beacon of hope for anyone who has ever felt the grip of anxiety, offering a path towards light and, yes, even carnival laughter on the other side.

 

Please be advised that the music is presented here for your listening pleasure and for promotional purposes only ("Fair Use" Musical Content Copyright Disclaimer Under Section 107 of the Copyright Act 1976). No copyright infringement is intended! We don't own the rights to this music, and it is presented here for promotional use only. We encourage you to promote the artists and their music; please don't download and share the music and rob the artists of needed income!  I, nor this blog, make any claims of ownership over any of the videos, songs, photos, or graphics used for this post because they all belong to their respective owners.

 

Today, Soca2Soca is playing catch-up with posts for songs released for Carnival 2024 in Trinidad and Tobago. One of the people's favorite artists and a participant in England's "The X Factor," Ola, as he is fondly known, can deliver captivating music. This song is no different; we are pleased to present "Bodyguard" by Olatunji for Carnivals in 2024.

 

In the pulsing heart of Trinidad and Tobago's 2024 carnival, Olatunji's "Bodyguard" explodes with the vibrant soul of Soca. Produced by Taylor Made Productions and penned by Jason "Shaft" Bishop, the track shimmers with the promise of sun-drenched revelry. Mastered by Garth Sinnette of Action One Studios, it's a sonic kaleidoscope of driving beats and infectious melodies, painting a picture of a devoted protector.

 

Olatunji's lyrics weave a tale of unwavering commitment, his voice a smooth caress amidst the vibrant chaos. He's her shield against the carnival's frenzied embrace, her constant rock amidst the swirling throngs. 

 

"Bodyguard" isn't just a song; it's a declaration of love, a promise whispered over the infectious rhythm of the Euphoria Riddim (Sweet Soca Music). It's a testament to the unwavering bond between reveler and protector, a love song pulsating to the heartbeat of the Caribbean carnival.

 

Please be advised that the music is presented here for your listening pleasure and for promotional purposes only ("Fair Use" Musical Content Copyright Disclaimer Under Section 107 of the Copyright Act 1976). No copyright infringement is intended! We don't own the rights to this music, and it is presented here for promotional use only. We encourage you to promote the artists and their music; please don't download and share the music and rob the artists of needed income!  I, nor this blog, make any claims of ownership over any of the videos, songs, photos, or graphics used for this post because they all belong to their respective owners.

 

The message is always in the music; the vibe moves the people, but it is the DJ who puts it all together and moves the event, making it a success. As mentioned in earlier posts, we are one family: Island Vybe Radio and Sokah2Soca. Today, for this post, we present one of the young guns from the radio station. This mix features a work of passion by Jalen "Jay" Brannon, aka DJ TremorJayy. Just press play, and you will become a fan of this young man.

 

Jay is a Queens native, born and raised in New York City, with roots reaching across the ocean to Haiti. This is going to be fun because our intention is to enlist this future DJ star to provide the Haitian mixes we promised readers of Sokah2Soca. Watch this space for Haitian music installments.

 

Jay has a lot going on. He now resides in Delaware, with his heart in Queens and music pumping out of Island Vybe radio in Philadelphia. Jay is currently pursuing a degree in psychology with a focus on behavioral analysis. Don't mess with this young man and his music because he has the brains to school you!

 

We invite you to listen to the wizardry of DJ TremorJayy; share this post and tell your friends about this mixtape. When you visit your social media pages, please share this post and invite your friends to follow TremorJayy, Sokah2Soca, and Island Vybe Radio. So, what are you waiting for? Press play and enjoy some excellent Caribbean music mixed by one of Delaware's finest, DJ TremorJayy!

 

Email:  This email address is being protected from spambots. You need JavaScript enabled to view it.

 

From the DJ:

DJ TremorJayy’s 4th Mixtape installment brings you the best blends of Soca and Afro-Rabòday from the beautiful Caribbean islands. This mix presents music from artists such as TonyMix, Patrice Roberts, Ricardo Drue, and so many more! If you are curious about Rabòday - It is a mixture of traditional Haitian rhythm with pop-rock music.

 

Please be advised that the music is presented here for your listening pleasure and for promotional purposes only ("Fair Use" Musical Content Copyright Disclaimer Under Section 107 of the Copyright Act 1976). No copyright infringement is intended! We don't own the rights to this music, and it is presented here for promotional use only. We encourage you to promote the artists and their music; please don't download and share the music and rob the artists of needed income!  I, nor this blog, make any claims of ownership over any of the videos, songs, photos, or graphics used for this post because they all belong to their respective owners.