Ananda/Sokah2Soca

Ananda/Sokah2Soca

This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.

 
One of calypso’s most famous melodies—and the center of one of the biggest copyright battles in music history—is back in the spotlight, reimagined in name and concept with a fresh, modern twist.” Originally written and performed by Rupert Westmore Grant, better known as Lord Invader, “Rum and Coca-Cola” became a global hit when it was covered by The Andrews Sisters in the 1940s. Explore the details of the legendary legal saga in Caribbean music history by researching the Rum and Coca-Cola case.
 
But now, fast‑forward to the present.
 
As we celebrate the Christmas season, the new music for Carnival 2026 keeps dropping with some pleasant surprises. This release by Kes and Tano, which dropped in December 2025, is one of the many new releases of the season and represents a bold, creative revival of an iconic song's borrowed name to create something new. Kes & Tano have teamed up to deliver ‘Rum & Coca Cola,’ a conceptual reimagining for a new era. Their version isn’t a remake—it’s a reinvention. While the song is a nod to the past, it is important to note that the remainder of the song showcases Kes and Tano's interpretation of 'what could have been,' reflecting a bygone era for today's generation.
 
The video creators deserve credit for recreating the period when Lord Invader delivered his classic song. In this modern-day recreation, with a limitless desire and imagination, they created a scenario where a chance encounter with Miss Grace, a woman who only drinks Rum and Coca-Cola, sparks a playful narrative set inside a vibrant party scene. Kes and Tano perform against a backdrop of movement using black and white videography to bring the past to life and pure Caribbean joy, surrounded by dancers and revelers soaking in the rhythm at a traditional calypso tent.
 
Musically, the track is everything we’ve come to expect from Kes—a seamless blend of modern calypso sounds (Soca and Calypso). It’s a feel-good musical piece built on the idea of a classic but dressed in the energy of today’s Carnival generation.
 
Good vibes, excellent storytelling, and a melody with a name steeped in history—Rum & Coca-Cola is officially reborn for 2026.
 
So there you have it, the wait is over, we have new Kes music and we are confident that Kes fans will love this new beginning for a blast from the past but never-to-be-forgotten song, Rum & Coca Cola.
 
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists.  You can find all of our posts online on social media platforms like FacebookYouTubeInstagramSpotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS FeedThreadsBluesky, and Twitter/X, including email subscriptions. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: Rum & Coca-Cola
Artist/Performed by: Kes & Tano
Written by: Kes & Tano 
Produced by: Tano 
Guitars by: Kyle Peters 
Bass by: Josh Richardson 
Background vocals by Terri Lyons, Coutain & Tano 
 
Horn Credits: 
Trumpet: Charles “Randy” Williams
Trombone: Aaron Blenman
Saxophones: Daniel Ryan
Horns Arranged by: Daniel Ryan
 
Mixed by: N.M.G music 
Mastered by: Precision Productions
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: CalypSoca ?
 
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca are thriving!
 
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.

Dive deeper into Caribbean music and culture at Sokah2Soca—your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.

 
The 1996 Ragga Soca hit “So Nanny,” arranged by Robin Imamsha and Ajala, is reborn as a Chutney Soca anthem featuring Savita Singh and Yuh Bredda. With Yung Bredda’s signature flair, this revival bridges generations and promises to be a Carnival 2026 banger in Trinidad and Tobago.
 
So Nanny is back—and it’s blazing hotter than ever! This 1996 Ragga Soca production has been reborn for a new generation, the next generation, reimagined as a Chutney Soca track that fuses nostalgia with fresh fire and the influence of Yung Bredda.
 
Is it just a remix or more in the offering? The transition from Ragga Soca to Chutney Soca serves as a cultural bridge, and we are eagerly anticipating what will come next.  I listened to the song and loved it, but the vocals of Savita Singh could have been more powerful. The playful antics of Yuh Bredda covered that aspect of the production.  Like the original version, the track bursts with energy, humor, and undeniable Carnival spirit. This song serves as a teaser in many ways, particularly through its use of double entendre... priceless! What was old is new again, and this rebirth ensures that "So Nanny" will dominate the road for Carnival 2026.
 
A Legacy Reignited
  • Originally arranged by Robin Imamsha and Ajala, So Nanny first dropped in 1996, instantly becoming a crowd favorite.
  • Its infectious rhythm and cheeky lyrics made it a staple of Trinidad and Tobago’s Carnival soundtrack.
  • Three decades later, the song stands poised to reclaim its throne, demonstrating that true classics never fade—they evolve. And this evolution 
The Yung Bredda Effect
  • He is known for his signature catchphrase
  • Yung Bredda injects his unique style into the track with his signature catchphrase, “Who does that?”
  • His playful delivery and modern spin ensure that the song resonates not only with the youth but also with the “old heads” who remember the original.
  • This dual appeal makes So Nanny a rare Carnival gem: a tune that unites generations on the road and in the fete.
Carnival 2026 Anthem in the Making With its fusion of Ragga Soca roots, Chutney Soca flair, and contemporary swagger, "So Nanny" is set to be more than just a song—it’s a movement. We expect it to light up the airwaves, mash up the fetes, and become a must-play on every DJ’s Carnival playlist. So, do you think that this song can take control once again? Share your comments with us. 
 
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists.  You can find all of our posts online on social media platforms like FacebookYouTubeInstagramSpotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS FeedThreadsBluesky, and Twitter/X, including email subscriptions. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: So Nanny (Remix)
Artist/Performed by: Ajala x Savita Singh x Yung Bredda
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Chutney Soca ?
 
Original Song: So Nanny
Artist/Performed by: Ajala
Arranged by: Robin Imamshah & Ajala
Rangkang Katang
J.W. Ragga Soca Hits '96
Released on: 1996-01-01
Genre: Ragga Soca 
 
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca are thriving!
 
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.

This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.

 
This is your passport, your invitation to see how Trinidadians celebrate and have fun. Carnival is coming, and the sweetness of Nadia is spreading across the island. This is Nadia time and we love everything she has delivered to date. The invitation is vibrant and full of Nadie vibes. Like Nadia, the song embodies the spirit of Carnival celebration. Cowritten by Nadia Batson, Erikkson George, and Keron “Sheriff” Thompson, and produced by Don Iko with final polishing by Madman Johann, the song is a solid offering that would bring the energy to all carnival revelers and fete fanatics. Kyle Peters' guitars and bass add a rich musical layer, providing the song with both groove and warmth.
 
It's not complicated; everyone is invited, and the lyrics extend a call to joy—an “invitation” to dance, raise hands, and immerse oneself in the collective energy of the festival. Yes, we feel really nice! Nadia's joyful play and delivery is playful yet commanding, urging listeners to abandon hesitation and join the rhythm. 
 
While we love the song, now that is very important, we have to consider the impact of the video. It  amplifies this atmosphere: Nadia Batson leads the performance with charisma, surrounded by dancers and a live rhythm section. The visuals capture the essence of Soca—movement, color, and community—transforming the song into a full sensory experience. And you know you just can't take your eyes off Nadie!
 
Now let's get our carnival checklist in order for this song:
  • The theme is celebratory: You are invited to an inclusive experience that welcomes everyone to the party.
  • The music produced by Don Iko drips with carnival energy and vibes.  Live instrumentation (guitars and bass) blends seamlessly with Soca’s percussive drive.
  • The look is captivating and exciting.  The dancers and rhythm section mirror the song’s infectious vibe, reinforcing its Carnival roots.
Someone commented that this song will sound excellent as a panorama piece. I have to agree, but it may be too late to change courses for a panorama arrangement. While we consider this idea, the letter to all carnival fans, "The Invitation," translates into an energetic movement and becomes more than just a song—it’s a call to community and celebration, perfectly aligned with Soca’s role as the heartbeat of Trinidadian Carnival.
 
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists.  You can find all of our posts online on social media platforms like FacebookYouTubeInstagramSpotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS FeedThreadsBluesky, and Twitter/X, including email subscriptions. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: The Invitation 
Artist/Performed by: Nadia Batson
Written By: Nadia Batson, Erikkson George & Keron "Sheriff" Thompson
Produced By: Don Iko
Background Vocals: Nadia Batson & Don Iko George
Guitars & Bass: Kyle Peters
Additional Production: Quiet Storm
Additional Production: Kyle Peters
Horn Arrangement: Justin Phillip
Trumpet: Christopher Sam
Tenor Saxophone: Jamie Ghany
Trombone: Justin Phillip
Horns Recorded By: Kevin Inniss
Mixed & Mastered By: Madman Johann
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
 
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca are thriving!
 
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.

Dive deeper into Caribbean music and culture at Sokah2Soca—your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.

 
Sometimes the most interesting things pop up in casual conversations. Recently, while watching a podcast, the discussion drifted to Parang Soca and Soca Parang. The hosts laughed it off, saying there’s really no difference between the two. While in the WACK Visual Radio chat box, I mentioned the discussion and was prompted by box police, Lenny, to do an article explaining the differences. I was confident I could make it happen because that moment brought to mind a conversation I once had with music producer Kenny Phillips, who explained it to me in a manner that was entirely clear and comprehensible.

It turns out, there are clear distinctions—and they matter if we want to respect the traditions and evolution of the music. Too often, misinformation becomes repeated until it feels like fact, and that’s how confusion spreads. I've outlined the distinctions in concise bullet points below to ensure clarity and maintain everyone's focus. Think of the information as a quick guide to avoid falling into the trap of misunderstanding these genres that are so deeply tied to our culture.

Parang

  • The genre, rooted in Venezuelan and Spanish traditions, was introduced to Trinidad & Tobago.
  • The song incorporates cuatro, mandolin, guitar, box bass, and maracas.
  • Sung in Spanish or English with themes of Christmas, family, and festivity.
  • The rhythm is folkloric, acoustic, and storytelling-driven.
  • It is the mother genre from which the hybrids evolved.

Parang Soca

 

  • The traditional parang rhythm drives the song, while modern electronic instruments, such as the bass guitar and keyboards, add a soca flavor.
  • The vibe is festive, yet it still retains the essence of parang at its core.
  • For example, Scrunter’s "Madame Jeffrey" and Crazy’s "Muchacha" showcase a parang rhythm infused with the brightness of soca.

Soca Parang

  • Here, Soca is the dominant rhythm.
  • The bassline and groove are unmistakably soca, with parang instruments and themes added for seasonal flavor.
  • Lyrics often focus on Trini Christmas staples (ham, sorrel, and black cake) but are delivered in soca’s upbeat style.
  • Example: Baron’s Spanish Woman or Machel Montano’s Soca Santa—Soca first, Parang second.

At the end of the day, Parang, Parang Soca, and Soca Parang each carry their identity, shaped by history, rhythm, and cultural intent. The confusion often comes from casual conversations where the terms are tossed around interchangeably—but as Kenny Phillips reminded me, the distinctions are real and worth preserving.

By keeping these differences clear, we not only honor the artistry of the musicians who shaped them but also protect the richness of Trinidad and Tobago’s musical heritage. So the next time someone says, “There’s no difference,” you’ll know better—and hopefully, you’ll help spread the word that these genres deserve to be understood on their terms.

?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca are thriving!
 
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
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