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Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!

 

According to the "We Love Network," Coutain is "a flag bearer of what many refer to as the new age of Caribbean sound". Coutain has created a lane for himself with a unique soul and sonics." After reviewing this talented artist's work, we have to admit that we want more! Those familiar with this artist and his local performances know how talented he is; after all, they have been singing "African Dancer" for over five years! They already know him, but we want him to shake up the Soca industry with his sweet voice. We aim to draw attention to his name, encouraging you, our Soca fans, to explore the artist music catalog (link below) and contribute to the promotion of his name and, most importantly, his music.

 
If you haven’t heard of Coutain yet, it’s time to tune in! This young, vibrant artist from Sangre Grande, Trinidad, has already made waves with his captivating track “Junction,” produced by the talented Michael “Tano” Montano for Trinidad’s carnival. The song is a true gem, showcasing Coutain’s unique style and undeniable talent.
 
But what’s next for this rising star? Fans and music lovers alike are eagerly awaiting new releases from Coutain. His ability to blend traditional Caribbean sounds with modern influences makes his music both refreshing and timeless. With every song, his effortless vocals and ease in front of the microphone make him a formidable presence in the music industry. He delivers what we consider "world music," which goes beyond what we know and expect from local artists. However, dreams can come true, and we yearn for a Soca-inspired piece for Carnival 2025.
 
As we look forward to his upcoming projects, let’s continue to support and promote this talented artist. Every bit of support helps, whether it's streaming his music, sharing his tracks with friends, or following him on social media. Coutain’s journey is just beginning, and we can’t wait to see where his musical path leads next. Stay tuned for more incredible music from Coutain!
 
Let us promote the culture of the Caribbean diaspora:
Our mission is to advance music producers, performers, and Caribbean culture. Take up the role of the cultural vulture and disseminate this article among your acquaintances and on all social media channels. We are on FacebookTwitter/XYouTubeInstagram, and SoundCloud. All our posts are available on FeedSpot/RSS FeedThreads, Bluesky, and via Email Subscription. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: Junction (official audio)
Artist/Performed by: Coutain & Tano
Written by: Nigel Denzil Coutain & Michael Montano
Produced by: Michael "Tano" Montano
Mixed & mastered by: Brooklyn Decent
Live bass and arrangement by - Joshua ‘ Supayouth’ Salcedo
Live guitars by: Kyle peters
Background vocals by: Trinibaby
Origin: Trinidad, Republic of Trinidad & Tobago 
Genre: Soca
 
Please be advised that the music is presented here for your listening pleasure and for promotional purposes only ("Fair Use" Musical Content Copyright Disclaimer Under Section 107 of the Copyright Act 1976). No copyright infringement is intended! We don't own the rights to this music; it is presented here for promotional use only. We encourage you to promote the artists and their music; please don't download and share them and rob the artists of needed income! I, nor this blog, make any claims of ownership over any of the videos, songs, photos, or graphics used for this post because they all belong to their respective owners.
♫Please click the music player button below to listen now (a small triangle in the Music player/TV Frame).
Coutain x Tano - Junction (acoustic version)
Coutain x Tano (official music audio)

Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!

 
Today is a special day to remember. I was listening to Mr. Desmond, one of my favorite DJs for Trinidad's retro music, play Lord Melody's 1980s Calypso monster hit "Sugar Jam." That song brought a smile to my face, and I felt compelled to travel back in time to share this musical gem with you. Considering the current state of Calypso music in Trinidad and Tobago, I had to do this post. Why? Simply put, this song is a perfect illustration of the colorful and upbeat calypso dance style that was popular on dance floors decades ago.
 
Calypsonians today are too focused on political and social commentary songs. While there's nothing wrong with calypsos reporting on current events or criticizing politicians for their misdeeds, overexposure to Soca music, which dominates today's carnival music scene, has been detrimental to the calypso music genre. If you want to restore harmony in your relationship, attend a party and request calypso dance music. This situation's mood will help you rekindle positive memories and reconnect with those timeless vibes. Only calypso music, not Soca, can recognize that sweet spot! I can assure you that people will choose a dance-calypso vibe over a Soca song. Simply put, dance calypso brings catchy melodies, lively percussion, and vocals that make it impossible to just stand by without getting involved. 
 
Lord Melody's captivating melody and voice in this song compelled me to post it. This song captures the vibe and celebrates community life in sweet Trinidad and Tobago. This song, when played at a party, is timeless and just beckons patrons to get on the dancefloor. That's the power of a well-constructed calypso. The music for this masterpiece was arranged by Art DeCoteau whose genius is unrivaled today. Those were the wonderful old days. 
 
Compared to today’s calypso, which often incorporates modern elements like electronic beats and fusion with other genres, the 1980s style had a raw, organic feel. The use of traditional instruments like steel pans, congas, and brass gave the music a rich, textured sound that resonated deeply with listeners. The communal aspect of calypso, where the music was a shared experience at festivals and gatherings, added to its infectious nature.
 
So, Calypsonians, note what survives and make your own history. Get creative, bring sweet melodies like the great Lord Melody did, and focus on lyrics that hook the audience. As you listen to the song, turn up the volume and let the vibe and rhythms of Sugar Jam remind you of what could still be if our calypsonians were creative and put in the work to create more calypso gems like "Sugar Jam."
 
Let us promote the culture of the Caribbean diaspora:
Our mission is to advance music producers, performers, and Caribbean culture. Take up the role of the cultural vulture and disseminate this article among your acquaintances and on all social media channels. We are on FacebookTwitter/XYouTubeInstagram, and SoundCloud. All our posts are available on FeedSpot/RSS FeedThreads, Bluesky, and via Email Subscription. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: Sugar Jam
Artist/Performed by: Lord Melody
Album: Sugar Jam
Arranged by Art DeCoteau
Distributed by: Charlie's Records Inc.
Licensed from: Eddymel Records
Recorded at: K.H. Studios
Mixed at: Music Farm Studios, New York
Origin: Trinidad, Republic of Trinidad & Tobago
Year: 1980
Copyright owner: Charlie's Records Inc.
Genre: Calypso (Dance Calypso Music)
 
Please be advised that the music is presented here for your listening pleasure and for promotional purposes only ("Fair Use" Musical Content Copyright Disclaimer Under Section 107 of the Copyright Act 1976). No copyright infringement is intended! We don't own the rights to this music; it is presented here for promotional use only. We encourage you to promote the artists and their music; please don't download and share them and rob the artists of needed income! I, nor this blog, make any claims of ownership over any of the videos, songs, photos, or graphics used for this post because they all belong to their respective owners.
♫Please click the music player button below to listen now (a small triangle in the Music player/TV Frame).

Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!

 

Our feature post today brings the culture of Japan and the Caribbean together and in focus. Ann G. (Angella Giustini), a J-Pop singer from Japan who adores Trinidadian culture and frequently visits Trindad to immerse herself in our carnival culture, collaborates with Lyrikal (Devon Martin) as the lead vocalists on this musical release, "Oideyo."
 
"Oideyo" is Japanese for "Come On." This song, "Oideyo," delves deeper, as the production team of Dj Private Ryan and Jus Now blended the cultures of Japan and Trinidad & Tobago to inspire the Japanese populace to 'come on over to the Caribbean region' to experience and appreciate Caribbean culture. After all, West Indian-style carnivals are becoming increasingly popular in Japan, with their festival/carnival emulating those of Trinidad and Tobago. It is only now that Japanese singers and artists can start producing their own unique Soca music.
 
Today is a start. On this special music release, LAZAbeam (Keshav Chandradath Singh of Jus Now fame) and DJ Private Ryan feature Ann G and Lyrikal's vocals. “Oideyo” is a high-energy track that seamlessly blends the infectious beats of Soca with traditional Japanese instruments, creating a sound that’s both fresh and familiar. Ann G’s captivating vocals and Lyrikal’s dynamic performance make this song a must-listen.
 
This song is a joy to listen to. The music production by Jus Now and DJ Private Ryan will surprise many and set a fire for more collaborations with foreign artists. LAZAbeam’s expertise in incorporating Japanese instruments into the Soca framework adds a distinctive touch that sets “Oideyo” apart from other tracks. After listening to the song, please share your feedback on the artists pages (YouTube is a start). So, tell us, what do you think of this unique song?
 
Let us promote the culture of the Caribbean diaspora:
Our mission is to advance music producers, performers, and Caribbean culture. Take up the role of the cultural vulture and disseminate this article among your acquaintances and on all social media channels. We are on FacebookTwitter/XYouTubeInstagram, and SoundCloud. All our posts are available on FeedSpot/RSS FeedThreads, Bluesky, and via Email Subscription. Thank you in advance.
 
Production Notes/Music Credits:
Song: Oideyo (Japanese: Come On -"Come to the Island")
Performed by:  Dj Private Ryan x Ann G x Lyrikal x Jus Now 
Written by:  Angella Giustini (Ann G), Keshav Chandradath Singh (Jus Now Team), Devon Martin
Produced by: Jus Now and Dj Private Ryan
Mix & mastered by: Jus Now (Sam Interface & Keshav Chandradath Singh aka LAZAbeam)
Distributed by: Battalion Music
Origin: Trinidad/Japan/UK
Genre: Soca/World Music
 
Please be advised that the music is presented here for your listening pleasure and for promotional purposes only ("Fair Use" Musical Content Copyright Disclaimer Under Section 107 of the Copyright Act 1976). No copyright infringement is intended! We don't own the rights to this music; it is presented here for promotional use only. We encourage you to promote the artists and their music; please don't download and share them and rob the artists of needed income! I, nor this blog, make any claims of ownership over any of the videos, songs, photos, or graphics used for this post because they all belong to their respective owners.
♫Please click the music player button below to listen now (a small triangle in the Music player/TV Frame).

Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!

 
Motto, based in Saint Lucia, is a fascinating artist/music producer. When you hear his voice in this song, you know who the singer is! His distinct sound and vocal style are inimitable. However, he is not just a Soca artist; with Dennery Segment and Konpa/Kompa music serving as the lifeblood of the island of Saint Lucia, he creates music that stands out significantly from the rest of the Caribbean Soca music industry. Motto's music is sweet and infectious; everything sounds appealing and is light on the waistlines. Today, we feature a new music release from this talented artist titled "Wah We Go Do" for carnivals in 2025.
 
We know and understand that you love Soca and listen to 'other vibes' from the region. Well, if you favor Haitian/Lucian Kompa music, you will definitely love this song. This song combines a Soca vibe with a Kompa vibe, creating a unique groove feel. They rightly labeled it Groove Soca Kompa! This vibrant blend of Caribbean musical styles is the signature release on "Sweetie Riddim," produced by Teamfoxx and Dt Keyz production companies. 
 
The real story here revolves around the perennial carnival problem of "yuh eye too damn long." The story revolves around a man and a woman, both of whom are in committed relationships and are unable to separate from each other. "Wah We Go Do" refers to the question of 'what should we do' when it comes to cheating and keeping it quiet. Don't we have enough problems already? As the story unfolds, listen to the song; perhaps, just perhaps, you hold the key to resolving this challenging situation.
 
This song brings both worlds into focus, while Kompa music delivers sensual dancing, making the combination of Soca and Kompa a fascinating one. It would be interesting to witness the dance moves that this Groove Soca Kompa music style will deliver. We applaud this music production and can't wait for more fusion music from across the Caribbean basin. So, what are you waiting for? Press play, pump up the volume, and enjoy your musical culture. 
 
Let us promote the culture of the Caribbean diaspora:
Our mission is to advance music producers, performers, and Caribbean culture. Take up the role of the cultural vulture and disseminate this article among your acquaintances and on all social media channels. We are on FacebookTwitter/XYouTubeInstagram, and SoundCloud. All our posts are available on FeedSpot/RSS FeedThreads, Bluesky, and via Email Subscription. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: Wah We Go Do
Artist/Performed by: Motto
Written by Lashley Motto Winter
Album: Sweetie Riddim
Produced by: Teamfoxx & Dt Keyz
Mix and mastered by Scratch Master 
Distributed by ONERPM
Genre: Groove Soca Kompa
Origin: Saint Lucia
 
Please be advised that the music is presented here for your listening pleasure and for promotional purposes only ("Fair Use" Musical Content Copyright Disclaimer Under Section 107 of the Copyright Act 1976). No copyright infringement is intended! We don't own the rights to this music; it is presented here for promotional use only. We encourage you to promote the artists and their music; please don't download and share them and rob the artists of needed income! I, nor this blog, make any claims of ownership over any of the videos, songs, photos, or graphics used for this post because they all belong to their respective owners.
♫Please click the music player button below to listen now (a small triangle in the Music player/TV Frame).
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  • Catch the island vibe! Our goal is to provide an avenue to spread our island culture not only through music, but also through our people's voices. 

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