In the context of this new Soca release, “Tay Lay Lay” feels like a celebration of that very spirit. Nailah Blackman and GBM Nutron have taken a phrase that’s nostalgic and colloquial and transformed it into a rhythmic anthem of carefree movement. It’s playful, down-to-earth, and unapologetically Caribbean. Maybe I’m reaching, but I think the artists are inviting us to embrace our quirks, our culture, and our dancefloor selves with pride.

 

Let's move on and talk a little about the music and vibe of the song, my kind of vibe, Groove Soca! This is a GBM Production along with Anson Pro, who is continually pushing Nailah to be her best self.  “Tay Lay Lay” is a groove-energy Soca track that blends infectious percussion with melodic hooks. The beat smells and feels GBMish; it is crisp and kinetic—designed to get waistlines moving and feet shuffling. It’s Carnival-coded: vibrant, sweaty, and full of life.

 

I have not always been kind to Nailah and her nasal vocals, but I will give this peeve a pass today.  In today's installment, Nailah’s voice brings a sultry, commanding presence, while Nutron adds his signature flair. When you hear GBM on this track, you know he is bringing a sexy vibe to  the affair. Their chemistry is undeniable, bouncing off each other with playful ease.

 

 

Does this song set the mood or does it chase people off the floor? The song radiates joy and movement. It's not just about dancing; it's about embracing the simple, carefree moments of life.

 

And finally, we look into our island's soul, our culture. “Tay Lay Lay” isn’t just a Soca song—it’s a cultural echo of an era that once was, but we can still look back upon it with pride. It pulls from the everyday language of Trinidad & Tobago and repackages it for the global stage. It’s a reminder that our stories, our sayings, and our rhythms are worthy of celebration. Whether you interpret “tay lay lay” as tired, stylishly ragged, or joyfully carefree, the song invites you to move with it, laugh with it, and live in it.

 

So yes, I’m still trying to understand this song… but maybe that's the point. “Tay Lay Lay” doesn’t ask to be understood—it asks to be felt.

 

 

Who is going to control the music scene, and who is going to come out the gate with a song to remember? This is the key to longevity for any Carnival season. Blaka Dan has the formula, and I can tell you that the party is in full swing at "3AM." This isn’t just a sweet soca song—it’s a snapshot of a moment when the music is still pumping, the crowd is still moving, and the night is far from over. West Indians will party until daylight or the cops shut it down. With its infectious rhythm and melodic Soca groove, the track captures the essence of a celebration that stretches into the early morning hours. 

 

The lyrics vividly depict the party scene with our Caribbean party fans "whining" and "dripping wet" at 2:57, demonstrating no signs of slowing down even at 3:00 AM (1:07, 2:17). It’s a tribute to the stamina, spirit, and joy of partygoers who live for the rhythm and refuse to let the clock dictate their fun. No matter the hour (3:03–3:08), the vibes remain vibrant and alive as Blaka Dan sings. 

 

I must mention that nervous artists will be watching and thinking about the next major competition, which Blaka Dan won in Trinidad. This could be magic; it could become groove soca gold for Blaka Dan. This is a groove soca song filled with melodic richness, which is the perfect vehicle for this kind of storytelling. This song is inviting and will invite listeners to the groove—smooth, flowing, and rhythmic. 

 

“3AM” has the goods; it is music with all the attributes to become a hit with catchy melodies & hooks:

• The chorus is unforgettable, with Blaka Dan’s vocal delivery gliding effortlessly over the beat.
• Instrumentation with vibe: Guinness book record holder for the longest playing of the steelpan is on set for this one. Joshua Regrello provides the Trinidad connection with some sweet steelpan notes. 
• Then we get Live Guitar licks by Jeavid Neckles that add layers of warmth and color, giving the track its signature groove. 
• Bass That Moves You: Jerrod Nelson’s live bass provides a deep, danceable foundation that anchors the entire song. 
• Party-Focused Lyrics: The narrative of a party that won’t quit is classic soca—joyful, communal, and unapologetically alive. 

The people behind the scenes, the production gurus of “3AM,” benefit from the expert touch of Loyalty Family Production. This is a Damion “Pappy Boi” La Pompe and Joseph “Tus” Thomas production. Pappy Boi himself handled the engineering, mixing, and mastering, polishing the track to perfection. From the vocals to the instrumentation, every element exudes intentionality and immersiveness. 

 

The YouTube video is visually appealing and showcases the vibrant Caribbean party energy found in the diaspora, specifically in New York City. New York City serves as a home away from home, where the celebrations can be just as wild! It’s a visual celebration of Caribbean culture, where the party is more than an event—it’s a lifestyle. 

 

I need to stop now, I should pause here to avoid turning this into a lengthy essay for the production.is a groove soca gem that captures the heart of Trinidadian nightlife. It’s melodic, rhythmic, and irresistibly danceable. Whether you’re winding down or just getting started, this track reminds you that the best vibes often come when the world is asleep—and the music is still playing. What do you think? You are already aware of my feelings towards this song. If we share the same sentiments, please share the post on all your social media platforms.

 

Produced and mixed by Don Iko, with additional production from Keoné herself and final mastering by NMG Music, this track is a full-bodied blend of smooth vocals and undeniable groove. It’s Soca with finesse—crafted, layered, and emotionally charged.

 

Sweet Like Soca is a tribute to ladies who got it—it isn't just a title. The lyrics celebrate a woman’s beauty, her confidence, and the way she moves—provocative, poised, and “put together.” She’s described as a “delicacy,” a “wifey type,” and yes, “sweet like soca.” It’s admiration wrapped in rhythm, a melodic ode to feminine power and Carnival allure.

 

The vibe is classic Soca, the style I love to listen to: groovy, percussive, and built to move waistlines. Syncopated grooves drive the energy forward, matching the lyrical praise with a rhythm that demands attention. It’s the kind of track that makes you look twice—and whine once.

 

Keoné’s vocals glide over Don Iko’s lush production with effortless charm, seducing the listener not with romance, but with reverence. This isn’t about a guy—it’s about her. She is the woman who commands the dance floor, looks outstanding in her carnival costume, commands the gaze, and embodies the sweetness of Soca itself.

 

Indeed, Soca is deeply ingrained in our culture; it is the offspring of Calypso and, to a certain extent, embodies the essence of the Calypsons. I believe that the artists are deviating in terms of melody and musical style, but I must emphasize that the following statement is true:  Soca music is vibrant, powerful, and deeply rooted in Caribbean culture. Caribbean people love to party, and Soca music serves to uplift, unify, and energize them. But to claim that “Soca music doesn’t lie” and that “if there is something to be changed in this world, then it can only happen through soca music” is poetic—but not factual. Yes, it may feel good to say it, but let's get real... No!

 

We hold great admiration for all of you at @TeamSoca, but here is why that statement warrants a reality check:

 

1. Music is an expression, not absolute truth.

 

2. Change Comes from Collective Action

Music can inspire change, yes—but there is more to it and Soca is not the only driver here. Real-world change comes from policy, activism, education, innovation, and community efforts. The industry is grappling with numerous misconceptions and challenges. Even in Trinidad, KG Muzik is struggling with the grip of the Soca Griots and the lack of help for upcoming artists. Soca may be a soundtrack to revolution, but it’s not the sole engine.

 

3. Soca Has Its Own Myths and Escapism

Each Soca song takes us on a journey. Songs depict a lifestyle of endless partying, romanticizing island life, and depicting the Caribbean as a paradise—sun, sea, freedom, and sensuality—with little mention of the region’s social, economic, or political complexities. That’s part of its charm—but it’s not always grounded in reality. To say it “doesn’t lie” is to ignore its role in fantasy and celebration.

 

Let's conclude by saying the following: Soca is a powerful cultural force, but it’s not infallible or omnipotent (all-powerful). Let’s celebrate its impact without turning it into dogma (a system of belief). 

 

And while we’re here—producers, please: color the music. Let’s move beyond the same bass-and-drum-kit formulas. Soca deserves sonic evolution, not repetition.

 

Tagging with love: @TeamSoca. Let’s keep the vibes real and honest.