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Daiz You by Bunji Garlin | Soca 2024

Daiz You by Bunji Garlin | Soca 2024

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in Blog
January 09, 2024

Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Islandvbye Radio rocks it live on the air!!

 
Hold onto your hats, Soca fam, because Bunji Garlin, the undisputed Ragga Soca champion and current Road March Champion, has dropped a fiery new track guaranteed to melt even the frostiest of hearts. "Daiz You" isn't just a song; it's a declaration, a playful middle finger to anyone who dares turn their nose up at the infectious rhythm and uninhibited joy of Soca. Yes, you can say it out loud, Bunji destroys all Soca music haters with this one titled, "Daiz You". 
 
This ain't your average Soca tune. Sure, the Brooklyn Decent production lays down a groove as smooth as silk, with that signature Soca bounce that just begs you to move. Kasey Phillips and Rob Domos engineer the vibe to pure fire, and Precision Productions polishes it to a diamond shine. But it's Bunji's lyrical mastery that truly sets this track ablaze:
How you say you don't like Soca when women bend over?
You don't like Soca, daiz you
You don't like it, daiz you
Daiz you, Daiz you, Daiz you
 
He spits his words like molten lava, a rap flow so cool it should come with its own warning label. He addresses the haters head-on, those who claim Soca isn't "real music," those with stiff joints and closed minds. But listen closely, because Bunji throws shade with the precision of a seasoned sniper, his message is clear: Your dislike means nothing. Yes, Daiz You!
 
He paints a picture of Soca's magic, the way it frees your soul, gets your body bouncing and connects you to a community pulsating with life. He speaks of "whining" not as a silly dance move, but as a deep immersion in the rhythm, a release of all inhibitions. And for those who can't "flow with the vibe," Bunji offers a knowing chuckle and a shrug: Their loss.
 
"Daiz You" is more than just a track; it's a celebration of Soca's unapologetic spirit. It's a reminder that joy, rhythm, and community are powerful forces that transcend negativity. Bunji, the true Ragga Soca king, lays down his claim with the swagger of a champion, reminding us all why Soca reigns supreme.
 
So crank up the volume, grab your friends, and let "Daiz You" wash over you. If you can't feel the fire in your soul, the urge to move your body, then maybe, it's you, not Soca, that needs a little adjusting. But for the rest of us, Bunji's got the soundtrack to our lives, and we wouldn't have it any other way.
 
Ready to ignite your Soca flame? "Daiz You" is waiting. Get ready to whine, jump, and sing along, because Bunji Garlin has just shown us why he's the king.
 
Let us promote the culture of the Caribbean diaspora:
Our mission is to advance music producers, performers, and Caribbean culture. Take up the role of the cultural vulture and disseminate this article among your acquaintances and on all social media channels. We are on Facebook, Twitter, YouTube, Instagram, and SoundCloud. All our posts are available on  FeedSpot/RSS Feed, Innoreader/RSS Feed, Threads, and via Email Subscription. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: Daiz You 
Album Title: Dial Riddim
Artist/Performed by: Bunji Garlin 
Written by: Bunji Garlin
Produced by: Brooklyn Decent
Engineered by: Kasey Phillips, Rob Domos 
Mixed by: Precision Productions 
Mastered by: Precision Productions
Design & Animation by: Kirky @cleverideasstudio
Origin: Trinidad, Republic of Trinidad and Tobago
Genre: Soca
 
Please be advised that the music is presented here for your listening pleasure and for promotional purposes only ("Fair Use" Musical Content Copyright Disclaimer Under Section 107 of the Copyright Act 1976). No copyright infringement is intended! We don't own the rights to this music; it is presented here for promotional use only. We encourage you to promote the artists and their music; please don't download and share them and rob the artists of needed income! I, nor this blog, make any claims of ownership over any of the videos, songs, photos, or graphics used for this post because they all belong to their respective owners.
♫Please click the music player button below to listen now (a small triangle in the Music player/TV Frame).

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I Heard a Whisper from Sprangalang: Never Forget the Bassman from Hell!

I Heard a Whisper from Sprangalang: Never Forget the Bassman from Hell!

By
in Blog
January 08, 2024

Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Islandvbye Radio rocks it live on the air!


Today, as we usher in another Carnival season, Sokah2Soca takes time to remember the music of the great one, The Mighty Shadow. This song, "Naked Riddim," is a song that delivers the unique sound and vibe of The Shadow. So when you feel a Riddim in your soul, take some time to remember this unique talent—the great one, "The Mighty Shadow!" 

 
Our Story:
The sun hung low, a molten sphere bleeding orange and amethyst into the Port-of-Spain afternoon. In the shadows beneath a poinciana tree, old Cyril tapped his foot to a rhythm only he could hear. A calypso melody, vibrant and alive, danced in his head, the voice of the Mighty Shadow pulsing through his weathered veins.
 
"So let's dance; we got to make it merry; let's dance; we gotta have a nice time!" The phantom chorus vibrated, and Cyril's foot tapped faster, a lone metronome marking time against the city's hum.
 
In his youth, Cyril had ridden the wave of Shadow's fame, a giddy surfer on a sea of calypso beats. He remembered the first time he'd heard "Bassman." The ground throbbed to the sound of "The Mighty Shadow's" vibe and was possessed by a bassline that burrowed into your bones and set your soul loose. Shadow, the self-proclaimed Bass Man from Hell, had conjured a rhythm that resonated with the underbelly of Port-of-Spain, its struggles and joys woven into every syncopated note.
 
Cyril closed his eyes, and the years peeled away. He was young again, crammed into a sweltering tent at Queen's Park Savannah, swaying with a thousand bodies to Shadow's storytelling. Each song is a vibrant tapestry of Trinidadian life, painted with wit, social commentary, and a raw, pulsating humanity. "Poverty is Hell," "Scratch Meh Back," "What's Wrong With Me," each anthem resonating with the truth Cyril held close to his heart.
 
"Gosh, people, don't you miss the late and great one?" Cyril mumbled, opening his eyes to the bustling street. Cars honked impatiently, a stark contrast to the rhythmic flow of Shadow's melodies.
 
But something stirred in the air. A young woman, headphones clamped over her ears, bopped along to an unseen beat. Her steps, light and syncopated, mirrored the ghost pulse of a bassline. Cyril watched, a spark of hope igniting in his eyes.
 
Maybe, just maybe, Shadow's spirit wasn't lost. Maybe his spirit lay dormant, waiting to be awakened by a new generation, ready to dance to the melody of their own struggles and triumphs.
 
Cyril smiled, his foot tapping back into life. It wouldn't be the same, never quite. But as long as the rhythms lingered, as long as the stories resonated, the Mighty Shadow would dance on, forever a shadow cast across the soul of Port-of-Spain.
 
And just maybe, on this Carnival eve, a new bassline would find its voice, carrying on the echoes of the past, ready to paint the future with its own vibrant beat.
 
Let us promote the culture of the Caribbean diaspora:
Our mission is to advance music producers, performers, and Caribbean culture. Take up the role of the cultural vulture and disseminate this article among your acquaintances and on all social media channels. We are on Facebook, Twitter, YouTube, Instagram, and SoundCloud. All our posts are available on  FeedSpot/RSS Feed, Innoreader/RSS Feed, Threads, and via Email Subscription. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: Naked Riddim
Artists/Performed by: The Mighty Shadow
Written by: The Mighty Shadow
Origin: Tobago, Republic of Trinidad and Tobago
Genre: CalypSoca
 
Please be advised that the music is presented here for your listening pleasure and for promotional purposes only ("Fair Use" Musical Content Copyright Disclaimer Under Section 107 of the Copyright Act 1976). No copyright infringement is intended! We don't own the rights to this music; it is presented here for promotional use only. We encourage you to promote the artists and their music; please don't download and share them and rob the artists of needed income! I, nor this blog, make any claims of ownership over any of the videos, songs, photos, or graphics used for this post because they all belong to their respective owners.
♫Please click the music player button below to listen now (a small triangle in the Music player/TV Frame).
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Document We by Shal Marshall x Kerwin Du Bois | Soca 2024

Document We by Shal Marshall x Kerwin Du Bois | Soca 2024

By
in Blog
January 07, 2024

Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Islandvbye Radio rocks it live on the air!!

 
If you are looking for a song to get you in the mood for the upcoming Carnival season, look no further than “Document We” by Shal Marshall and Kerwin Dubois. This is the latest collaboration between two popular and versatile Soca artists in the Caribbean. Kerwin is a former Soca Monarch, while Shal Marshall is a daytime radio jock at 96.1 WEFM radio station.
 
“Document We” is a catchy and energetic song that celebrates the culture and spirit of Soca music and its fans. The song urges listeners to document their experiences and memories of enjoying Soca music, whether it is on the road, in the fete, or online. This is a Road March anthem that celebrates how Caribbean people celebrate Carnival. Of note are the lines: "Let the camera roll, let the camera roll. This is how we play mas. Plenty of women and bacchanal. Put the camera in meh face, ah go mash up the place."
 
"Document We" is a production of Papo Productions and Kerwin Du Bois. They blended the traditional elements of Soca music to deliver a song that explodes on the scene and will have people going crazy! This vibe has it all: percussion with modern sounds and effects, creating a fresh, powerful, and vibrant sound. Written by Jovan James, Kerwin Du Bois, Dion Gomez, and Stephenson Marshall, who craft clever and catchy lyrics that showcase their love and passion for Soca music,.
 
“Document We” is a song that will surely make you want to dance, sing, and document your Soca moments. The song is available on YouTube and other streaming platforms, including Sokah2Soca. You can also follow Shal Marshall and Kerwin Du Bois on their social media accounts to stay updated on their latest releases and events.
 
Soca music is more than just a genre of music; it is a way of life. As Shal Marshall and Kerwin Du Bois say in the song, “Soca is we culture, document we”. So, what are you waiting for? Grab your phone, your camera, or your pen, and document your Soca experience with “Document We”!
 
Let us promote the culture of the Caribbean diaspora:
Our mission is to advance music producers, performers, and Caribbean culture. Take up the role of the cultural vulture and disseminate this article among your acquaintances and on all social media channels. We are on Facebook, Twitter, YouTube, Instagram, and SoundCloud. All our posts are available on  FeedSpot/RSS Feed, Innoreader/RSS Feed, Threads, and via Email Subscription. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: Document We
Artists/Performed by: Shal Marshall x Kerwin Du Bois
Written by: Jovan James, Kerwin Du Bois, Dion Gomez, Stephenson Marshall
Produced by: Papo Productions & Kerwin Du Bois
Origin: Trinidad, Republic of Trinidad and Tobago
Genre: Soca
 
Please be advised that the music is presented here for your listening pleasure and for promotional purposes only ("Fair Use" Musical Content Copyright Disclaimer Under Section 107 of the Copyright Act 1976). No copyright infringement is intended! We don't own the rights to this music; it is presented here for promotional use only. We encourage you to promote the artists and their music; please don't download and share them and rob the artists of needed income! I, nor this blog, make any claims of ownership over any of the videos, songs, photos, or graphics used for this post because they all belong to their respective owners.
♫Please click the music player button below to listen now (a small triangle in the Music player/TV Frame).
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National Small Conventional Steelband Competition Semi-Finals Results 2024

National Small Conventional Steelband Competition Semi-Finals Results 2024

By
in Blog
January 07, 2024

Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Islandvbye Radio rocks it live on the air!!

 
Port-of-Spain's Victoria Square pulsated with the vibrant heartbeat of the steelpan last night as the National Small Conventional Steelpan Bands semi-finals brought thirty bands to the stage. From dusk till past midnight, the air hummed with anticipation, punctuated by the sweet, rhythmic symphony of the pan.
 

Though Motown Steel Orchestra, slotted at number six, opted out at the eleventh hour, twenty-nine bands battled it out, each vying for a coveted spot in the Panorama finals. The judges, tasked with the monumental responsibility of deciphering this tapestry of musical brilliance, deliberated until well after the clock struck twelve. Finally, at 1:15 am, the silence broke with the announcement of the fifteen finalists, sending waves of delight and, inevitably, whispers of disappointment throughout the square.

 

New East Side Dimension emerged victorious with their rendition of "Toco Band," arranged by Kersh Ramsey, earning them a resounding 277 points and the top spot. The crowd erupted in cheers, celebrating the band's mastery and the sheer joy of music that had transcended the late-night setting.

 

But as is the nature of any competition, discontentment murmured alongside the applause. Supporters of bands that narrowly missed the cut expressed their disappointment, a reminder of the immense pressure and sacrifice poured into each performance.

 

Yet, through it all, the undeniable magic of the pan reigned supreme. Every band, regardless of the score, poured their hearts onto the stage, weaving tales of cultural heritage and national pride through the resonant voices of their pans. They painted sonic landscapes, each note pulsating with the spirit of Trinidad and Tobago, leaving the audience breathless and yearning for more.

 

One thing is certain: the semi-final competition may be over, but the echoes of last night's performances will linger long after the final note fades. Victoria Square witnessed a celebration of the steelpan, a testament to the unwavering passion and dedication of steel band musicians who, year after year, breathe life into our national instrument.

 

Now, we turn our eyes to the finals, where fifteen bands will take to the stage, each vying for the ultimate prize. But regardless of who takes home the coveted title, one thing is clear: the journey to the finals has already been a victory for the pan, for music, and for the soul of Trinidad and Tobago.

 

So, let the pan reign supreme! On to the finals on January 12th. 2024 and let the sweet steel symphony continue!

 

Here are the results from last night's competition:

 

 1st. T&TEC New East Side Dimension - Toco Band - 277 points

 

 2nd. La Horquetta Pan Groove - Spring Garden On Fire - 274

 

 3rd. Fusion Steel - Free Up - 273

 

 3rd. Tokyo Steel Orchestra - Free Up - 273

 

 5th. Uptown Fascinators - Chutney Bacchanal - 272

 

 6th. Golden Hands Steel Orchestra - Tension - 272

 

 6th. T&T Defence Force - Ben Lion - 271

 

 8th. Arima Golden Symphony - Doh Back Back - 269

 

 8th. St. Margaret's Superstars - Somebody - 269

 

10th. Tobago Pan-Thers - Teaser - 267

 

11th. Fascinators Pan Symphony - Deputy - 266

 

11th. Panasonic Connection - Ragga Ragga - 266

 

13th. Harvard Harps - Dead or Alive - 265

 

13th. Our Boys - Say Say - 265

 

13th. Roadblock - Jahaji Bhai - 265

 

16th. Highlanders - Engine Room - 263

 

17th. Alpha Pan Pioneers - Both Ah Dem - 262

 

18th. West Stars - Sing In She Party - 260

 

19th. Nu Stars - We Just Can't Go On Like This - 257

 

20th. West Side Symphony - Free Up - 256

 

21st. Plymouth Steel/Bethesda Sensations - Is Thunder - 255

 

21st. Simple Song - Nah Leaving - 255

 

23rd. Kalomo Kings - Nobody Go Run Me - 255

 

24th. Crown Cordaans - Say Say - 253

 

24th. Cadenza Steel Orchestra - Engine Room - 253

 

26th. Augmented Groove Orchestra - Good Morning - 252

 

27th. Perfect Cadence - Guitar Pan - 251

 

28th. Old Tech Steel Orchestra - Spring Garden On Fire - 247

 

29th. Jay Notes - 235

 

Motown Steel Orchestra withdrew from the competition. They were originally scheduled to play in position number six.

 
Please be advised that the music is presented here for your listening pleasure and for promotional purposes only ("Fair Use" Musical Content Copyright Disclaimer Under Section 107 of the Copyright Act 1976). No copyright infringement is intended! We don't own the rights to this music; it is presented here for promotional use only. We encourage you to promote the artists and their music; please don't download and share them and rob the artists of needed income! I, nor this blog, make any claims of ownership over any of the videos, songs, photos, or graphics used for this post because they all belong to their respective owners.
♫Please click the music player button below to listen now (a small triangle in the Music player/TV Frame).
Read more...
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