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Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Islandvbye Radio rocks it live on the air!!

 
Let's jump right into the heart of Carnival with "Rosie," the explosive collaboration between Soca royalty Destra and the rising star Yung Bredda. This track, destined to dominate Trinidad and Tobago's 2024 festivities, is a potent blend of classic Soca energy and trendy Zess vibes, leaving you with no choice but to move your body.
 
From the first horn blast, "Rosie" punches you with a vibrant rhythm that Keshav and Tendaji expertly craft. The production is a masterclass in Soca's sonic tapestry, seamlessly weaving brassy melodies, pulsating basslines, and crisp snares. Destra's iconic voice effortlessly rides the groove, with her playful delivery and infectious charm radiating through the speakers. Yung Bredda adds a fresh swagger with his smooth verses, proving his versatility and cementing his place as the "King of Steam."
 
But "Rosie" is more than just a dancefloor scorcher. The lyrics, penned by the formidable team of Tendaji, Keshav, Destra, and Yung Bredda, are surprisingly layered. Under the surface of carnival revelry lies a playful story of attraction and pursuit. It's a flirty dialogue that unfolds over the pulsating rhythm, adding a touch of narrative intrigue to the energetic beats.
 
"Rosie" doesn't shy away from acknowledging its modern influences. Subtle hints of Zess, a subgenre of Soca known for its electronic elements and hip-hop-inspired beats, peek through the traditional Soca foundation. This fusion keeps the track fresh and relevant, appealing to both seasoned Soca enthusiasts and younger audiences.
 
Overall, "Rosie" is a triumphant win for Destra and Yung Bredda. It's a song that captures the essence of Carnival—vibrant, energetic, and full of playful spirit. The production is phenomenal, the lyrics are catchy, and the chemistry between the artists is undeniable. "Rosie" is sure to be a staple on Soca playlists long after the Carnival drums fade, solidifying its place as a future classic.
 
From YouTube Music Post:
The Queen of Bacchanal & the King of Steam team up to bring you the duet of 2024 that we never knew we needed, but wanted so badly. ‘Rosie’ is a fresh & surprising blend of big-brass Carnival sound & a heaping dose of Zess. Yung Bredda continues to show his versatility, rising fast as a star of Caribbean music on the World stage. Destra continues to cross generations by displaying her versatility (not only as a vocalist par excellence) but also as prolific in Zess, proving yet again that she continues to be one of the freshest forces in driving Soca forward and upward.
 
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Our goal is to promote Caribbean culture, artists, and music producers. Become the proverbial culture vulture and share this post with your peers and on all social media platforms. We are on FacebookTwitterYouTubeInstagram and Soundcloud. All our posts are available on  FeedSpot/RSS FeedInnoreader/RSS Feed, Threads, and via Email Subscription. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: Rosie
Artists/Performed by: Destra & Yung Bredda
Written by: Keegan 'Tendaji' Taylor, Keshav Chandradath Singh, Destra Garcia & Akhenaton 'Yung Bredda' Lewis
Produced by: Keshav & Tendaji
Mixed & Mastered by: Keshav
Origin: Trinidad, Republic of  Trinidad and Tobago
Genre: Soca
 
Please be advised that the music is presented here for your listening pleasure and for promotional purposes only ("Fair Use" Musical Content Copyright Disclaimer Under Section 107 of the Copyright Act 1976). No copyright infringement is intended! We don't own the rights to this music, and it is presented here for promotional use only. We encourage you to promote the artists and their music; please don't download and share the music and rob the artists of needed income!  I, nor this blog, make any claims of ownership over any of the videos, songs, photos, or graphics used for this post because they all belong to their respective owners.
♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Islandvbye Radio rocks it live on the air!!

 
Today we present sugar cane rhythms for carnivals in 2024. This album is called "Sugar Cane Riddim," and it features five songs from the following artists: Jahllano, Christo, Richarde, Sadaeya, and Stephan Love. The riddim has a sweet and catchy vibe, with lyrics about love, romance, and sugar cane. This album has a vibe and should be on your Soca music playlist for 2024.
 
You will become a fan of this album which delivers sun-kissed melodies and infectious rhythms that ignite the airwaves with the arrival of "Sugar Cane Riddiim." It (Sugar Cane Riddim) is a vibrant Soca compilation produced by the masterminds of Yung Seeche Productions.
 
Christo sets the mood with a honeyed vocal caress on the title track, "Sugar Cane," its sweetness echoing the island's lush sugarcane fields. Jhallano brings the sunshine with his optimistic anthem, "It's Not Too Late," urging listeners to chase their dreams because it is never too late for love. Richarde serenades his love with the smooth groove of "You Got Me." Sokah2Soca has always been a fan of Richarde Bereaux, and it feels really good to hear about this talented son of the soil. Sadaeya's "Closer" weaves a web of sultry desire over the pulsating beat; the closer we get, the better it feels! Last but not least, Stephan Love injects playful energy with his track, "Sweet Temptation", ensuring the party lasts all night long.
 
We recommend this album because it is a vibrant tapestry of Soca's soul, offering a taste of paradise with every beat. Get ready to sway your hips and soak up the sunshine; it's going to be a sweet summer all year round.
 
Let us promote the culture of the Caribbean diaspora:
Our goal is to promote Caribbean culture, artists, and music producers. Become the proverbial culture vulture and share this post with your peers and on all social media platforms. We are on FacebookTwitterYouTubeInstagram and Soundcloud. All our posts are available on  FeedSpot/RSS FeedInnoreader/RSS Feed, Threads, and via Email Subscription. Thank you in advance.
 
Production Notes/Music Credits:
Album Title: Sugar Cane Riddim
Produced by: Yung Seeche Productions
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca
 
Songs/Artist/Song Writers
  1. Sugar Cane - Christo | Written by: Christo and Yung Seeche
  2. It's Not Too Late - Jahllano | Written by: Jahllano
  3. You Got Me - Richarde | Written by: Richarde Bereaux
  4. Closer - Sadaeya | Written by: Sadaeya
  5. Sweet Temptation - Stephan Love | Written by: Stephan Love
Please be advised that the music is presented here for your listening pleasure and for promotional purposes only ("Fair Use" Musical Content Copyright Disclaimer Under Section 107 of the Copyright Act 1976). No copyright infringement is intended! We don't own the rights to this music, and it is presented here for promotional use only. We encourage you to promote the artists and their music; please don't download and share the music and rob the artists of needed income!  I, nor this blog, make any claims of ownership over any of the videos, songs, photos, or graphics used for this post because they all belong to their respective owners.
♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

Top: Full-Length Tracks Sugar Cane Riddim | Bottom: Quick, Sweet, and Dirty Mix by Indego World

Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Islandvbye Radio rocks it live on the air!!

 
Today we feature Kerwin Du Bois's latest music release for Carnival 2024 in Trinidad and Tobago. This song, "Benderella," could easily catch fire if the radio stations paid attention to what listeners showed interest in. People love songs that glorify women and put them in control, even in promiscuous ways. Benderella will create chaos "on the road" for Carnival 2024!
 
The song is a catchy and upbeat tune that celebrates the beauty and energy of women who love to dance and have fun. The title Benderella is a combination of the words "bend" and "cinderella," implying that the female protagonist of the song is a master of both grace and flexibility; in other words, she can really whine well! The lyrics are full of witty and playful rhymes that will capture the imagination of those vested in the culture, especially while masquerading on carnival Monday and Tuesday.
 
The song has received positive reviews on the artist's YouTube post; they praised its catchy hook, lively instrumentation, and infectious vibe. The song should become a popular choice for DJs and radio stations, as well as for carnival-goers who want to groove to its rhythm. Benderella is expected to be one of the biggest hits of the 2024 carnival season and a showcase of Kerwin Du Bois' talent and versatility as a Soca artist.
 
Let us promote the culture of the Caribbean diaspora:
Our goal is to promote Caribbean culture, artists, and music producers. Become the proverbial culture vulture and share this post with your peers and on all social media platforms. We are on FacebookTwitterYouTubeInstagram and Soundcloud. All our posts are available on  FeedSpot/RSS FeedInnoreader/RSS Feed, Threads, and via Email Subscription. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: Benderella
Artist/Performed by: Kerwin Du Bois
Writtten by Kerwin Du Bois & Dion Gomez
Produced by: Kerwin Du Bois
Origin: Trinidad, Republic of Trinidad and Tobago
Genre: Soca
 
Please be advised that the music is presented here for your listening pleasure and for promotional purposes only ("Fair Use" Musical Content Copyright Disclaimer Under Section 107 of the Copyright Act 1976). No copyright infringement is intended! We don't own the rights to this music, and it is presented here for promotional use only. We encourage you to promote the artists and their music; please don't download and share the music and rob the artists of needed income!  I, nor this blog, make any claims of ownership over any of the videos, songs, photos, or graphics used for this post because they all belong to their respective owners.
♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).

Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Islandvbye Radio rocks it live on the air!!

 
This post is a collaboration by this blog writer, aka Santiwah, and an anonymous friend. I will confess here that I suffer from anxiety and the demons that stress can bring about. You may have been a fan of this blog for years, but you cannot find me in most carnival activities because I have not been brave enough, or strong enough, to harness the power to deal with my demons. Patrice may have laid the foundation for a new me, having said that, this collaborative effort below deals with the song "Anxiety." At the same time, we extend our sincere condolences to Patrice Roberts on the passing of her fiance, Ricardo Drue. Our condolences are also extended to Drue's family, friends, and everyone who loved Drue and his music. 
 
Shared thoughts (Santiwah and Anonymous):
In Patrice Roberts' "Anxiety," a Soca beat becomes a poignant pulse for honesty. Stripped bare of the vibrant energy that typically defines the genre, this song emerges as a confession, a whispered conversation with her mental state, and, as Roberts herself proclaims, her most sincere offering yet.
 
"Anxiety" confronts the elephant in the Soca room, the unspoken struggles with self-doubt, stress, and loneliness that can lurk beneath the glitter and revelry. Roberts delves into the complexities of her own mental health, laying bare her ongoing battle with anxiety. The lyrics sting with vulnerability, speaking of feeling "foreign" in her own skin, the ever-present "what ifs" gnawing at her confidence.
 
But within this vulnerable terrain, "anxiety" also blooms with resilience. Patrice finds solace in the very music she creates, singing about how she "needs" carnival, its vibrant energy serving as her remedy, her therapy. The rhythmic pulse takes on a life of its own, transforming from confession to affirmation, each beat a declaration of the strength found in facing vulnerability head-on.
 
Here, Patrice Roberts becomes not just a Soca singer but a voice for a community often cloaked in the joyous facade of performance. "Anxiety" shatters the illusion, encouraging open dialogue about the mental health battles that can affect anyone, even those who bring us sunshine on the dance floor.
 
By owning her struggle, Roberts does more than offer personal catharsis. She invites others to embrace their own shadows and find strength in shared vulnerability. "Anxiety" isn't just a Soca song; it's a conversation starter, a bridge built from honesty and a shared rhythm of the human experience. As Patrice sings, "I speak my language," and in doing so, she gives voice to an unspoken truth, inspiring others to do the same.
 
"Anxiety" may not be the Soca track you expect, but it's one that Soca desperately needs. It's a raw, honest exploration of the human behind the performer, a reminder that even the bright stars on stage grapple with shadows. And in the end, it's that very honesty that makes the song resonate, a beacon of hope for anyone who has ever felt the grip of anxiety, offering a path towards light and, yes, even carnival laughter on the other side.
 
Let us promote the culture of the Caribbean diaspora:
Our goal is to promote Caribbean culture, artists, and music producers. Become the proverbial culture vulture and share this post with your peers and on all social media platforms. We are on FacebookTwitterYouTubeInstagram and Soundcloud. All our posts are available on  FeedSpot/RSS FeedInnoreader/RSS Feed, Threads, and via Email Subscription. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: Anxiety
Artist/Performed by: Patrice Roberts
Produced by: XplicitMevon, Millbeatz Entertainment & Advokit Productions
Written by: Kitwana Israel, Patrice Roberts, Mevon Soodeen & David Millien
Live Guitars by: Kyle Peters
Background Vocals by: Patrice Roberts & Kitwana Israel
Recorded by: David Millien at MillBeatz Studios, Trinidad
Vocal Production : Kitwana Israel, Mevon Soodeen & David Millien.
Mixed and mastered by: Andre “Dre Major” Stewart.
Lyric Video by: Move With Time
Origin: Trinidad, Republic of Trinidad and Tobago
Genre: Soca
 
Please be advised that the music is presented here for your listening pleasure and for promotional purposes only ("Fair Use" Musical Content Copyright Disclaimer Under Section 107 of the Copyright Act 1976). No copyright infringement is intended! We don't own the rights to this music, and it is presented here for promotional use only. We encourage you to promote the artists and their music; please don't download and share the music and rob the artists of needed income!  I, nor this blog, make any claims of ownership over any of the videos, songs, photos, or graphics used for this post because they all belong to their respective owners.
♫Please press the music player button below to listen now (small triangle in the Music player/TV Frame).
Page 161 of 207

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