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Newssauce's Facebook post has sparked controversy, accusing Kenny of nepotism and urging an investigation by the Integrity Commission. The post, which notably did not seek comment from Mr. Phillips, questions Kyle’s role in mixing and mastering the show’s audio feed. The comments range from cheeky to cynical:
- “Ohhh goshhh Kenny ah eh looking for u dey! But then again!”
- “Everybody have to eat ah food...some eating it twice!”
- “Since he hashtagged his own radio station, will all the paid radio coverage be going there?”
Let’s pause the drama and rewind the tape.
?The Engineer in Question
Kyle Phillips is no stranger to the music scene. As owner and producer at Badjohn Republic and a multiple Road March winner, Kyle’s credentials in audio reproduction are solid. The Philharmonic show’s recording was crisp, balanced, and professionally executed—something Kenny has long advocated for, having publicly criticized the poor engineering standards of local productions for years.
To suggest that Kyle’s involvement was a last-minute favor or political maneuver ignores the timeline: Kenny Phillips has been Chairman for just two weeks. The staffing decisions, and especially the technical hires, were made prior to Kenny's appointment as Chairman of NAPA! Well... Any comments?
One has to ask the following question: Why the Rush to Judgment?
Nepotism is a serious accusation, and one that deserves scrutiny—not social media speculation. Kenny has devoted his life to the music and culture of Trinidad and Tobago. He has championed positive change and faced criticism when the concept of a radio station featuring only local content emerged. He was called a "WACKO," but that did not stop him, and the Diaspora has greatly benefited because of his vision. So one has to ask: is this about transparency or just a political hit job dressed like Miss Mary on J'ouvert morning or, for a modern twist, dressed in hashtags?
Newssauce’s decision to publish without contacting Mr. Phillips undermines journalistic integrity. It’s clickbait masquerading as accountability. If we’re serious about protecting our institutions, we must also protect the reputations of those working to improve them.
In Trini parlance terms: "Give de Man ah Chance, nah Man!"
Kenny Phillips has spent decades championing Caribbean music, elevating calypso, soca, and pan with technical excellence and cultural pride. His appointment to NAPA signals a long-overdue shift toward professionalism and vision. To attack him before he’s had a chance to lead is not just unfair—it’s counterproductive.
Let’s not confuse familiarity with favoritism. Let’s not weaponize family ties to discredit talent. And let’s not forget: in a small industry, excellence often runs in the blood.
Next time, call for comment. Until then, let the music speak louder than the noise.
