Dive deeper into Caribbean music and culture at Sokah2Soca—your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.
I am constantly looking for the next topic for a post to keep things buzzing at Sokah2Soca. I call it as I see it; yes, I call balls and strikes as it relates to Soca and our culture. So, when I came across the image posted above, I said, "Damn, this is the ideal post to debunk." To be honest, it looks good, and it may feel good, but truth be told, I have to say... I don't think so, dear Team Soca!
Indeed, Soca is deeply ingrained in our culture; it is the offspring of Calypso and, to a certain extent, embodies the essence of the Calypsons. I believe that the artists are deviating in terms of melody and musical style, but I must emphasize that the following statement is true: Soca music is vibrant, powerful, and deeply rooted in Caribbean culture. Caribbean people love to party, and Soca music serves to uplift, unify, and energize them. But to claim that “Soca music doesn’t lie” and that “if there is something to be changed in this world, then it can only happen through soca music” is poetic—but not factual. Yes, it may feel good to say it, but let's get real... No!
We hold great admiration for all of you at @TeamSoca, but here is why that statement warrants a reality check:
1. Music is an expression, not absolute truth.
Soca, like all genres, is a form of artistic expression. Lyricists deliver musical code—emotions, fantasies, exaggerations, and contradictions. Just like Calypso, Soca can be playful, political, aspirational, or mischievous.
Saying it “doesn’t lie” ignores the creative liberties artists take. Hey, I get it—you’re not talking about lies in the literal sense. You’re speaking figuratively and showing your creativity, inspired by the griot tradition, out of love for the music. But let’s not confuse metaphor with gospel.
2. Change Comes from Collective Action
Music can inspire change, yes—but there is more to it and Soca is not the only driver here. Real-world change comes from policy, activism, education, innovation, and community efforts. The industry is grappling with numerous misconceptions and challenges. Even in Trinidad, KG Muzik is struggling with the grip of the Soca Griots and the lack of help for upcoming artists. Soca may be a soundtrack to revolution, but it’s not the sole engine.
3. Soca Has Its Own Myths and Escapism
Each Soca song takes us on a journey. Songs depict a lifestyle of endless partying, romanticizing island life, and depicting the Caribbean as a paradise—sun, sea, freedom, and sensuality—with little mention of the region’s social, economic, or political complexities. That’s part of its charm—but it’s not always grounded in reality. To say it “doesn’t lie” is to ignore its role in fantasy and celebration.
Let's conclude by saying the following: Soca is a powerful cultural force, but it’s not infallible or omnipotent (all-powerful). Let’s celebrate its impact without turning it into dogma (a system of belief).
And while we’re here—producers, please: color the music. Let’s move beyond the same bass-and-drum-kit formulas. Soca deserves sonic evolution, not repetition.
Tagging with love: @TeamSoca. Let’s keep the vibes real and honest.
Let us spread awareness of the culture of the Caribbean diaspora.
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Production Notes/Music Credits:
Song Title: King Liar
Artist/Performed by: Lord Nelson
Album: Ah Ha
Written by: Lord Nelson
Arranged by: Art De Coteau
Label: Charlie's Record
Year: 1977
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Calypso ?
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