Ananda/Sokah2Soca
Dive deeper into Caribbean music and culture at Sokah2Soca — your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.
When Preedy and Destra Garcia link up, you expect fireworks—but “History in the Making” goes a step further. It’s a declaration. A celebration. A call to movement. And a reminder that when two powerful voices in the culture decide to build something together, the result is nothing short of electric.
From the first bar, the track radiates pure energy. The production leans into a vibrant, feel‑good groove powered by live guitars and a clean, well‑balanced mix that provides the song its bright, forward‑driving pulse. It’s the kind of arrangement that feels tailor‑made for the road, the stage, and every fête in between—a sonic space where both artists shine without stepping on each other’s fire.
What truly anchors the song, though, is its audience‑first spirit. Preedy and Destra tap into that timeless soca instinct: get the people involved, get the people moving, and get the people feeling like they’re part of something bigger. With lines urging the crowd to lift their hands and join the moment, the track becomes more than a performance—it becomes a shared experience. A communion.
Can we get real? Let's ponder the importance of the title. This is where we get into the details. “History in the Making” isn’t just a catchy phrase; it’s a statement of intent. The collaboration itself is a moment. The energy is a moment. The unity between artist and audience is a moment. Together, they form something that feels destined to echo long after Carnival 2026.
Preedy brings his smooth, melodic command. Destra brings her unmatched bacchanal stage presence and vocal power. The production ties it all together with a modern sound grounded in live instrumentation. The resulting production feels both celebratory and purposeful—it is a reminder that soca’s magic comes when talented people pool resources. This will be a magical time for these artists. It will be "History in the Making!"
We like the vibes and what we hear. If Carnival 2026 follows this path, then indeed, we are creating history.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: History In The Making
Artists/Performed by: Destra Garcia x Preedy
Produced by: Smiddy Smith & Daryl Samuel
Mixed & Mastered by: KingzMen Music Group
Live Guitars by: Kwami Morrison
Origin: Trinidad, Republic of Trinidad & Tobago.
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca are thriving!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.
Carnival 2026 gets a fresh injection of vibes with the release of Blockbuster Riddim, a tightly produced Soca compilation featuring five standout tracks—each one crafted by producer Michael "Tano" Montano.
This selection of songs delivers a clean, easy‑listening groove from start to finish—a set of tracks built more for club energy, lounge settings, and party‑time moments than the full‑throttle pace of Trinidad Carnival.
The lineup is stacked:
- Kes delivers smooth seduction with “Just a Taste.”
- Denzil Coutain brings the title track “Blockbuster” with full cinematic flair.
- Mical Teja lifts the energy on “Pick Me Up.”
- GBM Nutron embraces a glam style with the track “Hollywood.”
- Fullblown rallies the crew on “One For The Team.”
These aren’t power‑feting tunes—they’re laid‑back, melodic, and groove‑driven, perfect for a night out, a club set, or a cool‑down lime. A different lane, but a solid one.
Which song is your favorite? Are you picking the song because you like the artist or because it stands out? The present is your moment, your time to shine. Tell us what you think about the album and which song steals the show.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Album Title: Blockbuster Riddim
Artist/performed by: Kes, Coutain, Mical Teja, GBM Nutron, and Full Blown.
Produced by: Michael "Tano" Montano
Origin: Trinidad, Republic of Trinidad & Tobago.
Genre: Soca ?
Year: 2026
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca are thriving!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
Dive deeper into Caribbean music and culture at Sokah2Soca — your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.
I have been a little tough on Machel Montano and his music releases for 2026. That said, I cannot apply the same criticism to this song. This one has the potential to make a run at the Road March Crown. I like the message and the vibe, and Machel always brings energy, regardless of whether you like the song or not. This one is rocking, and with that, he turns up the temperature once again with “Encore,” a high-voltage release that pushes straight into Carnival 2026 with pure performance adrenaline. The official music video sets the tone from the opening scene—a quiet check-in before the storm—before exploding into movement, color, and that signature Machel stage intensity... energy and vibes.
Driven by a pulsing refrain of “Heat,” the track builds like a live show in real time, capturing the nervous energy, anticipation, and eruption of a crowd waiting for greatness. The visuals match the vibe: dynamic choreography, bold lighting, and Mas artistry shaped by legendary designer Peter Minshall and The Callaloo Company, all adding theatrical weight to the production.
Behind the music, the team is stacked. XplicitMevon & Badjohn Republic handle production, with writing by Andre Jeffers (Perception Management) and Machel himself. Guitars from Kyle Peters and Kenny Phillips, plus background vocals from Karyce Phillips and Kendel Haynes, round out the sonic palette. The video—produced by Twin Island Company and directed by Josiah Persad—brings together stylists, choreographers, musicians, dancers, and Mas performers for a full cinematic experience.
The story comes full circle with a closing phone call confirming everything is “safe and sound,” a clever echo of the opening that frames the entire performance as a controlled blaze. The storytelling was excellent and the music, along with Machel's energy, made this song work for me. We will watch this one with a positive vibe and positive energy, in the same manner Machel delivered the song.
No one can deny the activation of Carnival energy in the end. Machel delivers once more—and the people will be calling for an encore.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Encore
Artist/Performed by: Machel Montano
Produced by: XplicitMevon & Badjohn Republic
Written by: Andre Jeffers (Perception Management) & Machel Montano
Composers: Mevon Soodeen, Kyle Phillips, Andre Jeffers & Machel Montano
Guitars by: Kyle Peters & Kenny Phillips
Background Vocals by: Karyce Phillips & Kendel Haynes
Mixed & Mastered by: Precision Productions
Origin: Trinidad, Republic of Trinidad & Tobago.
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca are thriving!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.
This could be the start of something special. The song titled “Magic in the Air” is by Paris Coutain and Lashley Motto. Winter of Team Foxx feels like the quiet emergence of something that would shake up Chutney Soca—a stylistic pivot that signals where Chutney Soca could be heading; dare we say a new subgenre? The song arrives with familiar cultural DNA, yet it sounds unmistakably new. It’s not just the production polish or the romantic narrative; the entire track is different. It’s the way the entire piece reframes what Chutney Soca can be in 2026 and beyond: youthful and full of pop vibes.
It really sounds like Magic in the Air, and we will call this "Pop Chutney Soca"... We said it here first!
At its core, the track is built on love, determination, and emotional clarity. Paris sings with a smooth, contemporary tone that departs from the traditional Chutney vocal style—no heavy ornamentation, no classical Indo‑Caribbean melisma, and none of the comedic or rum‑centric tropes that often define the genre. Instead, the delivery is clean, modern, and intentionally crossover‑ready. This vocal performance alone marks a shift.
The production reinforces that shift. Motto and 1st Klase craft a riddim that is warm, melodic, and globally accessible. It leans into groove rather than speed, into atmosphere rather than bombast. The result is a chutney soca track that feels equally at home on a Carnival truck and generates the same vibe as a soca track played at a fete, during a diaspora lime, or on a global streaming playlist.
Motto's magic production deepens the evolution. Featuring the Amritam Shakti Dance Company and the Chaguanas Women and Youth Group, the visuals blend cultural pride with cinematic storytelling and music that simply makes you move. The narrative—a couple navigating obstacles to stay together—is universal, polished, and emotionally grounded.
- The modern vocal aesthetic invites non-Chutney listeners to engage with the music.
- A production style that merges Chutney warmth with Soca polish
- A thematic shift toward romance, aspiration, and emotional storytelling
- A visual identity that feels contemporary, youthful, and culturally blended
This shift is not a rejection of tradition; it’s an expansion. Much like how Afro‑Fusion broadened Afrobeats, this approach broadens Chutney Soca without diluting its roots. It keeps the cultural essence—love, community, devotion—while removing the stylistic barriers that once kept the genre niche.
If “Magic in the Air” performs well, it could inspire a wave of artists to explore this middle ground:
- Pop‑leaning Chutney Soca
- Cross‑genre collaborations
- Narrative‑driven visuals
- Riddims designed for both Carnival and global streaming
Paris Coutain may be doing what Ravi B and KI did in earlier eras—opening a new chapter, not by abandoning tradition, but by evolving it.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title:
Artist/Performed by:
Written by: Paris Coutain
Produced by: Lashley “Motto” Winter
Recorded at: 1st Klase Records
Mixed & Mastered by: Teamfoxx
Origin: Trinidad, Republic of Trinidad & Tobago.
Genre: Pop Chutney Soca ?
VIDEO CREDITS
Directed by: Pernell Roberts
Drone Operator: Shai Prescod
Set Assist: Jahmike Bonas
Shot/Edited: Perception Artworks
Casting: Sherry Ann Devenish
Lead Female: Ranushka Burgess
Young Lead Female: Sarita Supersad
Young Lead Male: Makhi Samual
Dancers: Amritam Shakti Dance Company, Chaguanas Women And Youth Group
Additional Talent: Champion Tassa Group
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca are thriving!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
