Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
Time and time again we have heard the statement, "Calypso is the voice of the people." This sentiment is particularly relevant when Calypso serves as the central focus of our Carnival festivities. Despite Soca's current dominance, the collective voice of the people can still resonate deeply. Even better is when the beat encapsulates that message, inspiring you to dance instead of simply listening. Today, we present to you an electrifying new track that does just that. Chuck Gordon is back with his latest release, "Look Tuh Press."
Always pay attention to those who have previously won the title of Calypso Monarch. Roderick "Chucky" Gordon, a two-time Calypso Monarch in Trinidad and Tobago, brings a song penned by the talented Marvin Mason to life.
We have heard the saying, "It takes a village," and for this song, the collaborative effort for "Look Tuh Press" delivered the goods. The production of "Look Tuh Press" is a testament to teamwork and musical craftsmanship. Roderick Gordon and SupaYouth both produced and arranged the song. The soulful background vocals feature a stellar team including Natalie Yorke, Joseph Williams, and Roderick himself. Live instruments elevate the track to another level, with horns coming straight from "Ultra Brass Studios." The incredible Nikholai Greene of N.M.G. Music added the final polish by handling the song's mixing and mastering.
We have expressed our regret over the abundance of "sit down and listen" calypsos and the dearth of "get up and dance" style calypsos. "Look Tuh Press" isn't just another track to add to your playlist; it's a message and a vibe wrapped up in a danceable beat that transcends the traditional confines of Calypso music. The dancefloor amplifies the importance of the people's voice.
Are you prepared to experience the beat and embrace the message? Press play on Chuck Gordon's "Look Tuh Press" and let the music move you. We look forward to hearing your comments.
From the production team:
Corruption? Doh do we dat!
Perversion? Doh do we dat!
The people have spoken... Now it's time to say less.
If you're not acting right in 2025... Look to press!
Let us promote the culture of the Caribbean diaspora.
Our mission is to advance music producers, performers, and Caribbean culture. Your support helps us celebrate and elevate the vibrant sounds and stories of the Caribbean. We can all work together to make sure that this rich cultural legacy continues to inspire creativity and connection while reaching a larger audience. You should always purchase music for sale, but refrain from sharing promotional music, as it deprives the artists, producers, and songwriters of vital income. Please note that all our posts can be accessed online via social media sites like Facebook, YouTube, Instagram, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Look Tuh Press
Written by: Marvin Mason
Produced by: SUPAYOUTH
Arranged by: Supayouth and Roderick Gordon
Background Vocals by: Natalie Yorke, Joseph Williams and Roderick Gordon
Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
Get ready to ignite your carnival spirit! The newly released Soca single titled "Paint D Town" by the talented M1 is here to set the perfect tone for J'Ouvert morning vibes.
"J'ouvert morning in town; look, we're coming down. We go paint d town, paint d town with color! Mud, paint, and powder, and most of all, in a good way, no behavior!"
Sherwin Jeremiah (M1) and Richie “Bones” Nelson, the dynamic duo, capture the essence of J'Ouvert in their vibrant anthem. J'ouvert morning is a magical morning for carnival revelers, often seen as the heart and soul of Carnival, and is all about the proverbial "painting the town."
David Millien from MillBeatz Entertainment has meticulously recorded, mixed, and mastered "Paint D Town" to perfection. The result is a track that’s not only musically infectious but also lyrically powerful.
M1's unique vocals and his extraordinary talent for storytelling shine through in this release. It's more than just a song; it's a narrative that seamlessly blends celebration and tradition, inviting everyone to dance and revel in the joy of the moment. Whether you're a Soca enthusiast or new to the genre, "Paint D Town" ensures that your feet won't stop moving and your heart will race with excitement.
At Sokah2Soca, we applaud M1's offering for Carnival 2025. Let's applaud M1 and his team for creating a track that will undoubtedly become a staple for J'Ouvert mornings as we prepare for Carnival. Get ready to groove, feel the rhythm, and, most importantly, paint the town with the vibrant colors of Soca!
Let us promote the culture of the Caribbean diaspora.
Our mission is to advance music producers, performers, and Caribbean culture. Your support helps us celebrate and elevate the vibrant sounds and stories of the Caribbean. We can all work together to make sure that this rich cultural legacy continues to inspire creativity and connection while reaching a larger audience. You should always purchase music for sale, but refrain from sharing promotional music, as it deprives the artists, producers, and songwriters of vital income. Please note that all our posts can be accessed online via social media sites like Facebook, YouTube, Instagram, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Paint D Town
Album: Congo Drum Riddim
Artist/Performed by: M1
Written by: Sherwin Jeremiah M1 and Richie “Bones” Nelson.
Produced by: David “Millbeatz” Millien of MillBeatz Entertainment
Vocal Tuning: David Millien of Millbeatz Entertainment (Trinidad)
Background Vocal: Rebecca “Tempa “Alexander
Recorded, Mixed & Mastered by: Millbeatz Entertainment
Distributed by Millbeatz Music Records & Fox Fuse LLC
Publishers: Copyright Control (COTT)/(c/o FOX FUSE LLC) (BMI)
Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
There are instances in musical history where songs make a lasting impact, often for unfavorable reasons. The recently released song "Banana" written by Marvin “Swappi” Davis and Emmanuel Rudder fits squarely into the latter category. As enthusiasts of Soca music, we know and appreciate the vibrant culture and energetic rhythm that define the genre. However, "Banana" strays far from what we expect and desire.
The lyrics in "Banana" force us to ask: What were they thinking? Rather than offering lyrics that inspire or amuse, "Banana" leaves a bitter aftertaste, significantly departing from the diverse range of our cherished Soca music. It’s not only a disservice to the fans, especially female fans, but also diminishes the genre's potential to inspire and bring joy.
From the outset, we were skeptical about posting this song. However, we decided to take this opportunity to vocalize our stance on the direction Soca lyrics should take. The production quality of "Banana" is indisputable; it's a testament to MillBeatz's undeniable talent. Yet, the lyrics serve as an unfortunate hitch in an otherwise well-orchestrated piece. Let this moment serve as a gentle but firm reminder to Soca artists everywhere: consistently delivering high-quality lyrical content is crucial.
Swappi's talent is not in question. Over the years, he has gifted us with memorable hits that resonate with passion and energy. This is why "Banana" is such a disappointment. A song with such skillful music deserves a better lyrical composition. Then again, the producer has to shoulder some of the blame here. It should not be assumed that just because an artist is willing to pay to be on an album, their inclusion should be guaranteed. The producer must understand that his name is associated with the product, and he or she will inherit both the positive and negative vibes the song conveys.
We recommend hurling "Banana" deep into the Gulf of Paria, ensuring its disappearance from sight or sound. In the world of 'Try it or Sky it, this one falls in the latter category. We believe Soca artists should view this as an example of what not to do, ensuring the future of Soca remains bright and captivating.
We maintain our optimism that this experience will act as a pivotal moment. We invite all artists to reflect deeply on their lyrics, aiming to uplift, inspire, and bring positivity to the world through their music. Soca is not just about rhythm; it’s about stories, culture, and connection. Let’s keep it that way.
Let us promote the culture of the Caribbean diaspora.
Our mission is to advance music producers, performers, and Caribbean culture. Your support helps us celebrate and elevate the vibrant sounds and stories of the Caribbean. We can all work together to make sure that this rich cultural legacy continues to inspire creativity and connection while reaching a larger audience. You should always purchase music for sale, but refrain from sharing promotional music, as it deprives the artists, producers, and songwriters of vital income. Please note that all our posts can be accessed online via social media sites like Facebook, YouTube, Instagram, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Banana
Album: Congo Drum Riddim
Artist/Performed by: Marvin “Swappi” Davis
Written by: Marvin “Swappi” Davis and Emmanuel Rudder
Vocal Tuning: David Millien of Millbeatz Entertainment (Trinidad)
Background Vocal: Rebecca “Tempa “Alexander
Recorded by: Omario “Mariooo” Matthews and David “MillBeatz” Millien of Millbeatz Music Records at Millbeatz Ent Studios, Trinidad
Produced by: David “Millbeatz” Millien of MillBeatz Entertainment
Distributed by Millbeatz Music Records & Fox Fuse LLC
Publishers: Copyright Control (COTT)/ (c/o FOX FUSE LLC) (BMI)
Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
Yes, I love it, Kaiso, Kaiso! Calypso music, with its infectious rhythms and heartfelt lyrics, has always been a cornerstone of Caribbean culture. The latest release, "Trust in It" by Lyrikal, is a testament to the genre's enduring appeal and its potential to shape the future of music. It is intriguing to note that he is singing and praising Soca music while using Calypso to deliver that message! This fusion not only highlights the versatility of these genres but also showcases the rich musical heritage of the Caribbean. As artists like Lyrikal continue to innovate, they bridge the gap between traditional sounds and contemporary influences, creating a vibrant tapestry of music that resonates with audiences worldwide.
This is indeed a beautiful collaboration that caught my attention. The talented team of Kitwana Israel, Jason Gilbert, and Devon Martin (Lyrikal) penned "Trust in It." The song's production is a seamless blend of tradition and modernity, thanks to the expertise of Skorsh Bun It and AdvoKit Productions. AdvoKit Productions skillfully completed the final work, including mixing and mastering, ensuring that every note and lyric shines.
This song epitomizes musical excellence. The vocals in "Trust in It" are nothing short of captivating. Lyrikal's voice carries a blend of passion and energy that draws listeners in from the first note. The musical arrangement complements the vocals perfectly, creating a soundscape that is both vibrant and reflective of Calypso's rich heritage.
Most of the time, we may have good music but poor lyrical content. However, I have no complaints about the lyrics in this particular song. In terms of lyrical content, "Trust in It" excels with its meaningful and resonant messages. The lyrics are powerful, touching on themes of trust, resilience, and hope. This song is not just entertaining but also inspirational, making it a standout release for the Trinidad Carnival 2025.
I have always lamented that the future of Calypso appears bleak due to the lack of innovation among most Calypsonians. This song establishes a blueprint for the future, and if followed, the future appears bright indeed. "Trust in It" is more than just a song; it's a blueprint for the future of Calypso. Its blend of traditional elements with contemporary flair sets a high standard for future releases in the genre. This song has the potential to elevate Calypso to new heights and secure its place alongside the ever-popular Soca music.
I am so happy about this music release; it is one of my favorite songs for Carnival 2025. For me, "Trust In It" is a keeper and one of my favorite releases for Trinidad Carnival 2025. Its sheer beauty and excellence make it a standout in the world of Calypso. This composition is a testament to the genre's enduring appeal and its bright future.
In conclusion, let's applaud this one and everyone involved with this masterpiece. "Trust in It" by Lyrikal is not just a song; it's a celebration of Calypso music and its potential to captivate audiences worldwide. If this song is any indication, the future of Calypso is incredibly promising.
Let us promote the culture of the Caribbean diaspora.
Our mission is to advance music producers, performers, and Caribbean culture. Your support helps us celebrate and elevate the vibrant sounds and stories of the Caribbean. We can all work together to make sure that this rich cultural legacy continues to inspire creativity and connection while reaching a larger audience. You should always purchase music for sale, but refrain from sharing promotional music, as it deprives the artists, producers, and songwriters of vital income. Please note that all our posts can be accessed online via social media sites like Facebook, YouTube, Instagram, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Trust In It
Lyrikal x Skorch Bun It x AdvoKit
Written by: Kitwana Israel, Jason Gilbert and Devon Martin
Produced by: Skorch Bun It and AdvoKit Productions