Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
In a world where music often serves as a universal language, the newly released song "Kaise Bani" by GI and Bunji Garlin is a testament to the unifying power of melody and rhythm. This song is more than just a tune; it is a bridge connecting various races and communities, fostering unity through our shared love for music.
The journey of "Kaise Bani" begins back in 1969, when the legendary Sundar Popo released "Kaise Bani," or "Phulauri Bina Chutney Kaise Bani," on his album titled "Nana and Nani." This track was revolutionary as it modernized a traditional folk song, merging English with its original lyrics. Sundar Popo's innovative fusion laid the groundwork for future musical explorations.
Artists like GI and Bunji Garlin are currently carrying on the legacy. Their version of "Kaise Bani" continues the legacy of musical fusion initiated by Lord Shorty, who originally blended Indian musical elements with Calypso to create what is now known as Soca. By infusing this latest release with a Soca/dancehall vibe, GI and Bunji Garlin have crafted a vibrant and contemporary anthem of unity.
"Kaise Bani" is a beautiful amalgamation of cultural influences, seamlessly integrating Indian musical elements with the energetic beats of Soca and dancehall. This harmonious blend not only creates an infectious rhythm but also carries a profound message of togetherness. In an era often marked by divisions, this song stands as a reminder of our shared humanity and the joy that music brings in bridging our differences.
We love this new version of "Kaise Bani" and believe it encapsulates the spirit of unity that we all strive for. Pure music transcends boundaries, and this track does precisely that. Our listeners, please tell us how this song touches you. How does it make you feel? Does it inspire a sense of togetherness and hope?
Let us continue to celebrate the power of Soca music and its ability to bring us all closer. Share your thoughts and experiences with us as we embrace this musical journey together.
Let us promote the culture of the Caribbean diaspora.
Our mission is to advance music producers, performers, and Caribbean culture. Your support helps us celebrate and elevate the vibrant sounds and stories of the Caribbean. We can all work together to make sure that this rich cultural legacy continues to inspire creativity and connection while reaching a larger audience. You should always purchase music for sale, but refrain from sharing promotional music, as it deprives the artists, producers, and songwriters of vital income. Please note that all our posts can be accessed online via social media sites like Facebook, YouTube, Instagram, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song/Title: Kaise Bani
Artist/Performed by: GI x Bunji Garlin
Written by: Kitwana Isreal, Imran Beharry (GI) And Ian Alvarez (Bunji Garlin) Produced By: AdvoKit Productions, XplicitMevon, Badjohn Republic and N.M.G Music
Mixed And mastered by: N.M.G Music
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Soca Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.
♫Please click the music player button below to listen now (a small triangle in the music player/TV frame).
Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
There's a message in the music, and today we are thrilled to feature that message in song. The incredible duo Voice and Gen Gen's performance of "Vote of Thanks" is more than just a track—it's a heartfelt homage to roots, beginnings, and the people who support us along the journey.
Aaron St. Louis, known to fans as "Voice," continues to captivate with his ability to create music that resonates deeply. "Vote of Thanks" is no exception. This time, Voice collaborates with the exceptionally talented Genelle Bharat, who proudly stamps her stage name, "Gen Gen," on this meaningful song. What makes this collaboration special is not just the melodies but the profound message it carries: gratitude and acknowledgment of one’s origins.
It's incredible how Voice hasn't forgotten his early days in the music industry. This song embodies his journey, coming full circle, as he helps pave the way for Genelle Bharat, just as others had done for him. "Vote of Thanks" emphasizes that giving thanks is vital, especially when recognizing the people and moments that shape our paths.
Voice and Genelle Bharat penned the song, showcasing their lyrical prowess and dedication to authentic storytelling. Mega Mick’s production brings the song to life, ensuring every note and beat connects with the listener. The final touches of mixing and mastering by Nikholai Greene of N.M.G. Music perfect the track, delivering a sound that's both polished and emotionally stirring.
"Vote of Thanks" reminds us never to forget where we came from and, most importantly, to always remember those who believed in us when no one else did. It's a tribute to those who saw potential and offered unwavering support. This song is a musical expression of gratitude to those deserving souls.
Soca fans, this one’s for you! Let "Vote of Thanks" serve as your anthem of gratitude and a constant reminder that the love and belief of others often support our journeys. Give it a listen and let the message resonate. If this post resonates with you, please follow Sokah2Soca for the latest updates and more heartfelt content. Soca, please stay tuned and share this post with your social media peers to help us continue growing. Thank you.
Let us promote the culture of the Caribbean diaspora.
Our mission is to advance music producers, performers, and Caribbean culture. Your support helps us celebrate and elevate the vibrant sounds and stories of the Caribbean. We can all work together to make sure that this rich cultural legacy continues to inspire creativity and connection while reaching a larger audience. You should always purchase music for sale, but refrain from sharing promotional music, as it deprives the artists, producers, and songwriters of vital income. Please note that all our posts can be accessed online via social media sites like Facebook, YouTube, Instagram, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Vote of Thanks
Artists/Performed by: Aaron St. Louis and Genelle Bharat
Written by: Aaron St. Louis and Genelle Bharat
Produced by: Mega Mick
Mixed and Mastered by: Nikholai Greene, NMG Music
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Soca Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.♫Please click the music player button below to listen now (a small triangle in the music player/TV frame).
Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
The newly released track "Explore" by V'ghn and Nailah Blackman, produced by Travis World, may be a hit with the artists fans, but we feel differently. As much as we adore hearing V'ghn's talent, this duet left us underwhelmed. The singing felt mechanical, almost as if they were just going through the motions. The track maintains one monotonous pace, leading us to wonder—did you feel anything special in this song? If you experienced something special in this song, please share it with us, as we are struggling to understand its magic.
Singing Performance: V'ghn, undoubtedly talented, doesn’t shine in this track the way we know he can. The duet with Nailah Blackman lacks the spark we were hoping for. It feels as though they were on autopilot, resulting in a performance that fails to evoke any strong emotions. The two artists' missed potential for a powerful connection left the song feeling flat and uninspired.
As we've mentioned in our previous reviews of "Skeg" by Lady Lava and "Touch D Road" by Bunji Garlin, Travis World's work on this album feels disappointingly minimalist. "Explore" follows this same pattern. The riddim is simplistic to a fault, lacking the depth and complexity that could elevate the song. Remove the drum kit, and there's hardly anything left to hold onto. This minimalist approach from a usually innovative producer has left us yearning for more.
Nailah Blackman is overexposed; she is everywhere this Carnival 2025 season. However, sometimes less is more. She doesn't need to be on every track to stay relevant. It might be worth considering a more selective approach to maintain the quality and uniqueness of her contributions.
Our post won't be too critical of V'ghn as an artist because he has always delivered good music. However, not everything a singer delivers will become a hit. Having said that, "Explore" is not one of his standout tracks. We know he has the potential to deliver much more impactful music. This song, unfortunately, falls short of showcasing his true talent.
After these posts on the Alien Head Invasion Riddim, people will love to hate us! We acknowledge this, but it's a natural part of life. In our honest opinion, "Explore" fails to make a lasting impression. We hope that both V'ghn and Nailah Blackman return with stronger, more memorable offerings in the future. For those who might want to defend this track, we respect your perspective, but we stand by our critique. Sometimes, it's necessary to be candid to encourage growth and improvement.
Let us promote the culture of the Caribbean diaspora.
Our mission is to advance music producers, performers, and Caribbean culture. Your support helps us celebrate and elevate the vibrant sounds and stories of the Caribbean. We can all work together to make sure that this rich cultural legacy continues to inspire creativity and connection while reaching a larger audience. You should always purchase music for sale, but refrain from sharing promotional music, as it deprives the artists, producers, and songwriters of vital income. Please note that all our posts can be accessed online via social media sites like Facebook, YouTube, Instagram, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Explore (Remix)
Artists/Performed by: V’ghn x Nailah Blackman x Travis World
Album: Alien Head Invasion
Performed by V’ghn & Nailah Blackman
Produced by Travis World
Label: Travis World Music / Monk Music
Copyright 2025 All Rights Reserved
Origin: Grenada/Trinidad, Republic of Trinidad & Tobago
Genre: Soca
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. We intend no copyright infringement! We present this music here for promotional purposes only; we do not own the rights to it. We encourage you to promote the artists and their music; please don't download and share them and rob the artists of needed income! Neither I nor this blog claim any ownership over the videos, songs, photos, or graphics used in this post, as they all belong to their respective owners.
♫Please click the music player button below to listen now (a small triangle in the music player/TV frame).
Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
The highly anticipated release of "Touch D Road" by Bunji Garlin in collaboration with producer Travis World has left fans with mixed feelings. Despite the high expectations based on the talents involved, the song fails to capture the magic we know Bunji Garlin can deliver. However, if we have to pick one song out of this album, we will credit Bunji in this regard, but that is nothing to 'call home about.'
"Touch D Road, all the girls dem touch D road" is repeated throughout the track. This redundancy, quite frankly, feels like a departure from the lyrical prowess we have come to expect from Bunji Garlin. It's disappointing to see such a talented artist rely on repetitive lyrics, which ultimately diminishes the song's impact.
From a production standpoint, Travis World’s contribution feels surprisingly minimalist. The music lacks the dynamic energy that could have elevated the track to a memorable level. The production feels bare and uninspired, missing the depth and complexity that often characterize great music. This is not a favorable look for Travis World, who we know is capable of much more.
We conclude that "Touch D Road" falls short. The lyrics are repetitive, and the music production lacks the richness and vibrancy we expect from both Bunji Garlin and Travis World. It's a letdown that leaves much to be desired.
For a deeper dive into our thoughts on music production, check out our post on "Skeg Out" by Lady Lava. We all crave enjoyable music, but sometimes we have to keep it real—plain talk, bad manners! What are your thoughts on the track? Let's hear it!
Let us promote the culture of the Caribbean diaspora.
Our mission is to advance music producers, performers, and Caribbean culture. Your support helps us celebrate and elevate the vibrant sounds and stories of the Caribbean. We can all work together to make sure that this rich cultural legacy continues to inspire creativity and connection while reaching a larger audience. You should always purchase music for sale, but refrain from sharing promotional music, as it deprives the artists, producers, and songwriters of vital income. Please note that all our posts can be accessed online via social media sites like Facebook, YouTube, Instagram, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Touch D Road
Artist/Performed by: Bunji Garlin x Travis World
Album: Alien Head Invasion
Performed by Bunji Garlin
Produced by Travis World
Lyrics written by Ian Alvarez
Label: Travis World Music / Monk Music
Copyright 2025 All Rights Reserved
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. We intend no copyright infringement! We present this music here for promotional purposes only; we do not own the rights to it. We encourage you to promote the artists and their music; please don't download and share them and rob the artists of needed income! Neither I nor this blog claim any ownership over the videos, songs, photos, or graphics used in this post, as they all belong to their respective owners.
♫Please click the music player button below to listen now (a small triangle in the music player/TV frame).
